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Content by tag "Davey Payne"

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ARTICLE: SCUMBLES

John Kelly, musician, actor, performer

Read "John Kelly, musician, actor, performer" reviewed by Sammy Stein

John Kelly is a musician who, with his band 'Rockinpaddy' performs in pubs and clubs around the London area. He is also an actor, campaigner for disability rights and in grave danger of becoming something of a national treasure. He is a freelance performer with Graeae Theatre Company, has performed on major stages around the globe ...

ARTICLE: SCUMBLES

Jazz in the UK now

Read "Jazz in the UK now" reviewed by Sammy Stein

The jazz scene in the UK is buzzing at the moment. Clubs whose managers not so long ago were faced with the difficult decision whether to continue offering new sounds to a dwindling audience or turn themselves into a wine bar--offering small slices of live music to appease their consciences perhaps--are finding it was worth hanging ...

ARTICLE: SCUMBLES

The People Band with Gina Southgate at The Vortex

Read "The People Band with Gina Southgate at The Vortex" reviewed by Sammy Stein

Gina Southgate and The People Band
The Vortex
London, UK
May 11, 2013

On a Saturday evening in the heart of Dalston, East London, The People Band once again graced The Vortex with its free form and improvised style of jazz. As the group played, artist Gina Southgate, with the help ...

ARTICLE: INTERVIEWS

Davey Payne: Ready To Play

Read "Davey Payne: Ready To Play" reviewed by Sammy Stein

Davey Payne is known best for the time when he was saxophonist with British group, The Blockheads. His solo on the 1978 number 1 hit, “Hit Me With Your Rhythm Stick" was the first time a double sax solo had appeared on a hit record.

Before he joined forces with Dury, who fronted The ...

ARTICLE: WHAT IS JAZZ?

Freeform in the U.K.

Read "Freeform in the U.K." reviewed by Sammy Stein

Freeform and improvised jazz is having a hard time at the moment. Venues have to make tough choices between pleasing what is a smaller cohort of customers and bringing new, maybe transient, but paying clients who are attracted by big names, standards and music they know. Customers have less cash in these difficult economic times, so ...