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ARTICLE: INTERVIEWS

Carmen Rothwell: The Art of Intuition

Read "Carmen Rothwell: The Art of Intuition" reviewed by Paul Rauch

Seattle, a city synonymous with alternative rock, has long sustained a provincial jazz culture, without a signature sound, but with an openness to innovative, progressive invention. To outside jazz partisans, the city is known for phenomenal high school talent that usually flies the coop, heading east for conservatory training and to pursue professional ambitions.

ARTICLE: ALBUM REVIEWS

Jarrett Cherner Trio: Expanding Heart

Read "Expanding Heart" reviewed by Dan Bilawsky

Forget about “the art of the trio." It's undoubtedly a topic worth discussing when you look at this album, and one that automatically comes up when you look at any piano-centric threesome, but it's a phrase that's been overused. Instead, let's talk about the heart of the trio--how it beats, what it feeds, where it leads, ...

ARTICLE: ALBUM REVIEWS

Marta Sanchez Quintet: Partenika

Read "Partenika" reviewed by Dan Bilawsky

A marriage of moody yet calming piano seesaws, cymbal swells, and arco bass serves as the entry portal into pianist Marta Sanchez's Partenika. The feelings that come over the mind and body while taking in those overlaid ingredients during the opening of “Opening" must be like what Dorothy felt when she awoke in Oz or what ...

ARTICLE: ALBUM REVIEWS

Adam Kromelow Trio: Youngblood

Read "Youngblood" reviewed by Dan Bilawsky

Adam Kromelow's group is a jazz piano trio in instrumentation, but not intent. Kromelow, who originally hails from Illinois and now resides in New York, takes his cues and inspiration from a variety of sources, such as modern classical music, rock sounds and, of course, jazz. All of these influences merge on Youngblood. ...


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