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ARTICLE: RADIO

Moon in Scorpio and Mischief Night

Read "Moon in Scorpio and Mischief Night" reviewed by Mary Foster Conklin

Besides some spooky seasonal fare, this week we focus on new releases from vocalists Carmen Lundy, Michelle Lordi and Carrie Wicks, trombonist Michael Dease and pianist Michele Rosewoman with birthday shout outs to Nellie Lutcher (pictured), Victoria Spivey, Laura Nyro, Bobby Troup, Jane Bunnett, Esperanza Spalding, Brenda Earle Stokes, Allison Miller and Freddy Cole, among others. ...

ARTICLE: ALBUM REVIEWS

George Cables: I'm All Smiles

Read "I'm All Smiles" reviewed by Peter Hoetjes

At a time when jazz is being pulled in every direction at once in search of a future some fear may not exist, musicians such as George Cables, Essiet Essiet and Victor Lewis are proving that, for those who listen, there is no place quite like the present. Essiet became the trio's bassist for its 2012 ...

Meet Joyce Wilson

Read "Meet Joyce Wilson" reviewed by Tessa Souter and Andrea Wolper

Having grown up in a home without popular music, our newest Super Fan came to jazz a bit later than many. But all it took were one concert and two LPs to turn this open minded spirit into a lifelong fan with a very personal take on all things jazz. In fact, the way Joyce Wilson ...

ARTICLE: ALBUM REVIEWS

Paul Bley: When Will The Blues Leave

Read "When Will The Blues Leave" reviewed by John Ephland

Ornette Coleman recorded “When Will The Blues Leave" in early 1958, released the next year on Something Else!!!! (Contemporary). Paul Bley played Coleman's blues four years later on The Floater Syndrome (Savoy Records), a trio recording with bassist Steve Swallow and drummer Pete La Roca. Both versions--Coleman's in a quintet with trumpeter Don Cherry, bassist Don ...

ARTICLE: ALBUM REVIEWS

Horace Tapscott with the Pan Afrikan Peoples Arkestra: Live at I.C.U.U.

Read "Live at I.C.U.U." reviewed by Karl Ackermann

Twenty years after his death, pianist-composer Horace Tapscott is receiving the accolades that largely passed him by at the peak of his career. Firmly ensconced in the Los Angeles jazz scene, his recording career as a leader began in 1969 when his quintet released The Giant Is Awakened (Flying Dutchman). Aiee! The Phantom (Arabesque, 1996) was ...

ARTICLE: SOCAL JAZZ

Michael Lauren: Give My Regards To Portugal

Read "Michael Lauren: Give My Regards To Portugal" reviewed by Jim Worsley

From Broadway to jazz to Portugal. A circuitous route for sure. One that has, however, served international musician Michael Lauren well. The now seventy-year- old multi-styled drummer came out of the womb with a kick pedal and has been holding down a symphony of beats ever since. Over the years he has played or recorded with ...

Introducing Reel to Real Records

Read "Introducing Reel to Real Records" reviewed by Jakob Baekgaard

As the driving force behind the Cellar Live label, saxophonist Cory Weeds has been busy doing his share to promote contemporary jazz, so it comes as a pleasant surprise that he has found the time to start the archive label Reel to Real. Unlike reissues that are sometimes lost treasures that are found again, an archive ...

ARTICLE: SOCAL JAZZ

John Beasley: Master of All Trades

Read "John Beasley: Master of All Trades" reviewed by Jim Worsley

In today's busy world, sometimes you just can't do it all. Apparently, John Beasley never received that memo. The pianist, composer, arranger, producer, music director, and film and TV composer is in high demand, and has an enormity of projects that would seem to belie the twenty-four hour day reality. It is perhaps the variance in ...

ARTICLE: ALBUM REVIEWS

Timeless All Stars: At Onkel Po's Carnegie Hall: Hamburg 1982

Read "At Onkel Po's Carnegie Hall: Hamburg 1982" reviewed by Chris May

They were timeless and they were all stars. Bobby Hutcherson, Harold Land, Curtis Fuller, Cedar Walton, Buster Williams and Billy Higgins got together in the early 1980s to play post-hard-bop jazz in the studio and on the US and European performance circuits. The band recorded three fine albums between 1982 and 1986. At Onkel Po's Carnegie ...

ARTICLE: ALBUM REVIEWS

Etta Jones: A Soulful Sunday - Live At The Left bank

Read "A Soulful Sunday - Live At The Left bank" reviewed by Angelo Leonardi

Pochi si ricordano di Etta Jones e qualcuno la confonderà con {Etta James}}. A dispetto delle alte doti tecniche e interpretative, la cantante non ha avuto i riconoscimenti che meritava. Cresciuta ad Harlem, debuttò negli anni '40 nelle serate per debuttanti dell'Apollo Theater, si fece le ossa con Pete Johnson, Barney Bigard ed Earl Hines, ottenne ...