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Content by tag "Axel Dorner"

ARTICLE: ALBUM REVIEWS

Tibor Prettschnöder: The Largo And The Lame

Read "The Largo And The Lame" reviewed by Mark Corroto

By now it is generally accepted that there is such a category as Germanic free improvisation. One separate from the Peter Brötzmann, Alexander von Schlippenbach, Günter Sommer, Peter Kowald, Manfred Schoof, Gerd Dudek, Albert Mangelsdorff, etc, etc. school of free jazz that machine-gunned its way into the European scene of the late 1960s. These new rebels ...

ARTICLE: RADIO

Jaimie Branch's Fly or Die at BIMHUIS, Amsterdam

Read "Jaimie Branch's Fly or Die at BIMHUIS, Amsterdam" reviewed by BIMHUIS

Jaimie Branch's debut album Fly or Die immediately put her on the map as a gifted trumpeter and composer who brings together groove, melody and experiment. Fly or Die appeared in the top 10 best albums of the year in the Downbeat Critics Poll.

For her eponymous band Fly or Die, Jaimie Branch selected ...

John Butcher

Read "John Butcher" reviewed by John Eyles

In the Building a Jazz Library article on Evan Parker, it says that seasoned Parker followers would describe him as the finest improvising saxophonist of his generation. Curiously, many of those same people would use exactly that phrase about John Butcher. The simple explanation for this apparent contradiction is that we are talking about two generations; ...

ARTICLE: ALBUM REVIEWS

Jeremiah Cymerman: Decay Of The Angel

Read "Decay Of The Angel" reviewed by Mark Corroto

I don't recall the soundtrack to the original Bladerunner, Ridley Scott's 1982 film starring Harrison Ford. The movie, an adaptation of science fiction writer Philip K. Dick's novel Do Androids Dream of Electric Sheep?, blurs the line between human and android. That same obfuscation (electroacoustic) is at the heart of Jeremiah Cymerman's solo recording Decay of ...

Alexander von Schlippenbach / Globe Unity Orchestra: Globe Unity - 50 Years

Read "Globe Unity - 50 Years" reviewed by Mark Corroto

Pianist Alexander von Schlippenbach's Globe Unity Orchestra (GUO) employs a similar head-scratching process to that utilized to make geuze, a much-treasured Belgian beer. Both elicit the “how did they do that?" question, and both seem to be a gift from Mother Nature. Schlippenbach brings together a choice assemblage of improvisers, like the ingredients of guesze (wheat ...

ARTICLE: ALBUM REVIEWS

Thomas Johansson: Home Alone

Read "Home Alone" reviewed by Mark Corroto

When does this guy breathe? This might be the question going through your mind while you listen to “Signal This," the fifth track on Side A of trumpeter Thomas Johansson's solo recording Home Alone. The brief, three minute performance is, at first glance, more about physicality than music making. On the surface, a solo trumpet performance ...

ARTICLE: ALBUM REVIEWS

Jonas Cambien / Adrian Myhr: Simiskina

Read "Simiskina" reviewed by John Sharpe

Since relocating to Oslo in 2008, Belgian pianist Jonas Cambien has immersed himself in the Norwegian scene. As well as his well-received trio which waxed A Zoology Of The Future (Clean Feed, 2016), he's also part of improvising collective Platform (which can be heard on Flux Reflux (Clean Feed, 2017)), and new music ensemble Aksiom. Those ...

ARTICLE: LIVE REVIEWS

Jazz Jantar 2017

Read "Jazz Jantar 2017" reviewed by Martin Longley

Jazz Jantar
Klub Zak
Gdańsk, Poland
November 9-12, 2017

Jazz Jantar is one of the less well-known Polish festivals (outside of Poland), but it has been running in the northern port of Gdańsk for two decades, and is housed by Klub Zak, an arts centre that has roots ...

ARTICLE: MULTIPLE REVIEWS

Sven-Åke Johansson's Blue For A Moment

Read "Sven-Åke Johansson's Blue For A Moment" reviewed by Mark Corroto

Sven-Åke Johansson
Blue for a Moment
NI VU NI CONNU
2017

In conjunction with the film of the same name, the LP boxset Blue for a Moment was prepared as a limited release (250 signed copies) of Swedish musician Sven-Åke Johansson's music. It is in no way a complete retrospective. ...

ARTICLE: ALBUM REVIEWS

Torben Snekkestad: Winds Of Mouth

Read "Winds Of Mouth" reviewed by Mark Corroto

The Homo sapien caveman picked up a goat's horn and blew some notes through it to entertain the Neanderthals, who had somehow, not paid the cover charge for the spring solstice show. No worries he thought, they'll soon be extinct, and I've just invented music.

What the Neanderthals were fascinated with, was, just how ...