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ARTICLE: RADIO

Jazz in Exile, Part Two

Read "Jazz in Exile, Part Two" reviewed by Seton Hawkins

South Africa's Jazz enters a period of exile following the Sharpeville Massacre. In Part Two of Jazz in Exile, we'll examine more closely the artists who leave South Africa for Europe, learn about their stories, and hear their music. Playlist Blue Notes “Ntyilo Ntyilo" from Blue Notes for Johnny (Ogun Records) 01:49 Brotherhood of Breath “Mra" ...

ARTICLE: ALBUM REVIEWS

Frode Gjerstad: Bop Stop

Read "Bop Stop" reviewed by Giuseppe Segala

A cavallo tra gli anni Settanta e Ottanta, quando nella scena jazz norvegese la presenza dell'etichetta germanica Ecm stimolava e indirizzava le scelte di tanti musicisti, il sassofonista Frode Gjerstad si volgeva a un altro panorama, cercando il contatto con le odissee procellose dell'improvvisazione storica europea, volgendosi soprattutto all'area britannica. Qui collaborò con grandi maestri che ...

ARTICLE: IN PICTURES

Headliners and Rising Stars at the 2018 Montreal International Jazz Festival

Read "Headliners and Rising Stars at the 2018 Montreal International Jazz Festival" reviewed by Dave Kaufman

Part 1 | Part 2 | Part 3 | Part 4

This year marked one of the best and most well-balanced indoor (paid indoor events) and (free) outdoor lineups at the Festival International de Jazz de Montreal (FIJM). The strength of the lineup stretched across genres and also maintained a consistency over the course of ...

ARTICLE: INTERVIEWS

Yakhal' Inkomo: A South African Masterpiece at Fifty

Read "Yakhal' Inkomo: A South African Masterpiece at Fifty" reviewed by Seton Hawkins

On July 23, 1968, a now-legendary recording session took place in Johannesburg, South Africa, one that would ultimately prove a defining moment in the country's Jazz history and development. Led by tenor saxophonist Winston Mankunku Ngozi, a quartet that included pianist Lionel Pillay, bassist Agrippa Magwaza, and drummer Early Mabuza would record the album Yakhal' Inkomo. ...

ARTICLE: INTERVIEWS

Salim Washington: To Be Moved to Speak

Read "Salim Washington: To Be Moved to Speak" reviewed by Seton Hawkins

To audiences in Boston or New York, Salim Washington is not just a great musician, he is a community builder. Having first established the Roxbury Blues Aesthetic, then the Harlem Arts Ensemble, Washington has throughout his career carefully nurtured collectives of musicians who in turn generated irreplaceable music scenes at venues like Connolly's in Boston and ...

ARTICLE: INTERVIEWS

Matsuli Music: The Fight Against Forgetting

Read "Matsuli Music: The Fight Against Forgetting" reviewed by Seton Hawkins

Now approaching a decade of operations, Matsuli Music has placed itself at the frontline of reissuing some of South Africa's most influential, important, and yet nevertheless now difficult-to-find albums in pursuit of its stated mission: “The Fight Against Forgetting." Indeed, to that end, founder Matthew Temple has done extraordinary work, as thanks to his efforts, classic ...

ARTICLE: RADIO

Destination South Africa (Part 1)

Read "Destination South Africa (Part 1)" reviewed by Ludovico Granvassu

Over the past three weeks we've focused on Africa's influence on jazz music. We played music by international jazz musicians who were inspired by Africa as well as music by jazz musicians from Mali to Tunisia and from Ethiopia to Zimbabwe.

Now what about South African Jazz? Well, we left South Africa for last ...

ARTICLE: INTERVIEWS

Linda Sikhakhane: Two Sides, One Mirror

Read "Linda Sikhakhane: Two Sides, One Mirror" reviewed by Seton Hawkins

Though it has not received the level of press attention it warrants, South Africa's Jazz scene of the past decade has experienced an astonishing flourishing of artistry and development. While the scene lost some of its titans like Zim Ngqawana, Winston Mankunku Ngozi, and Bheki Mseleku, it has also found new paths through the efforts of ...

ARTICLE: INTERVIEWS

Nduduzo Makhathini: Jazz Is a Shared Memory

Read "Nduduzo Makhathini: Jazz Is a Shared Memory" reviewed by Seton Hawkins

It can be overwhelming to keep up with the artistic growth, creative reach, and constant development that marks the career of Nduduzo Makhathini. In the past four years, he has released eight solo albums, all exploring remarkably different territories and demonstrating a ceaselessly probing mind and inventive creative urge. In addition to that, he has emerged ...

Mats Gustafsson

Read "Mats Gustafsson" reviewed by Vincenzo Roggero

If Mats Gustafsson's approach to music were to be described with a single adjective, it would have to be “intense." This applies to him both as a musician, as illustrated by over three decades of playing with stalwarts of the free and creative jazz scenes on both sides of the Ocean (Ken Vandermark, Peter Brötzmann, Joe ...