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Coleridge Goode
Born:
Coleridge George Emerson Goode is a former British Jamaican-born jazz bassist most noteworthy for his long collaboration with alto saxophonist Joe Harriott. Goode was a key figure in Harriott's innovatory jazz quintet throughout its eight-year existence as a regular unit (1958–65). Goode was also an important contributor to Harriott's later pioneer fusions of jazz and Indian music. Goode was born in Kingston, Jamaica. His father was a choirmaster and organist who promoted classical choral music in Jamaica and his mother sang in the choir. As Goode recalls: "My name comes from my father putting on a performance of Samuel Coleridge Taylor’s Hiawatha’s Wedding Feast as a tribute to him...
Swings High
By Joe Harriott
Label: Cadillac Records
Released: 2022
Track listing: Tuesday Morning Swing; A Time For Love; The Rake; Blues In C; Shepherd’s Serenade; Polka Dots And Moonbeams; Strollin’ South; Just Goofin’ (Count Twelve).
Joe Harriott: Swings High
by Chris May
Like many players who are primarily thought of as “experimental" and/or “free form"—and virtually all of the best of them--the Jamaican-born, later London-based alto saxophonist Joe Harriott was also a master of straight four/four jazz and Great American Songbook balladry. Yet in 2022, Harriott (1928-1973) is almost exclusively remembered either for his adventures in Indo-jazz fusion ...
Free Form & Abstract Revisited
By Joe Harriott
Label: Ezz-thetics
Released: 2021
Track listing: Formation; Coda; Abstract; Impression; Straight Lines; Calypso; Tempo; Subject; Shadows; Oleo; Modal; Tonal; Pictures; Idiom; Compound.
Joe Harriott Quintet: Free Form & Abstract Revisited
by Chris May
A tiny island, Jamaica has punched far above its weight musically. Dub and reggae are the primary manifestations, but the island has also produced a disproportionately large number of notable jazz musicians, many of whom left during the late 1940s and 1950s to relocate to Britain, Jamaica's so-called mother country during the colonial era. Alto saxophonist ...
Lift Every Voice And Sing: Twenty #BlackLives Albums That Matter
by Chris May
Jazz has been inextricably linked with social and political protest since at least the late 1930s, when Billie Holiday made famous the leftist songwriter and poet Abel Meeropol's “Strange Fruit." The song, which has a power to move that is undiminished by familiarity, likens the bodies of lynched African Americans to fruit hanging in trees.
Alex Hitchcock: All Good Things
by Roger Farbey
The Alex Hitchcock Quintet's first record, Live at the London and Cambridge Jazz Festivals, was released in 2018 as an EP on Mondo Tunes. But at around 40 minutes this could easily have passed muster as a pukka LP. It was also a very impressive debut indeed, captured live from gigs performed in 2016 and 2017 ...
Courtney Pine: Standing on the Shoulders of Giants
by David Burke
Courtney Pine didn't pick up his beloved tenor saxophone for more than a decade, until an album exploring the black British experience demanded it. The multi-instrumentalist eschewed the horn on the likes of Europa, House of Legends and Song (The Ballad Book), his two-hander with pianist Zoe Rahman. “I spoke to Sonny Rollins about ...
Joe Harriott Quintet: Abstract/Southern Horizons/Free Form
by Duncan Heining
Swing Low, Sweet Harriott I don't think Joe Harriott's entire catalogue has ever been available at one time. Even in his heyday in the sixties, much of the 1950s material was unavailable. From the seventies onwards, things got really dire. Now that so much is out of copyright, Harriott's work is increasingly being reissued ...
Coleridge Goode: 100 Not Out!
by Duncan Heining
To celebrate the 100th birthday of Jamaican-born bassist Coleridge Goode, All About Jazz publishes Duncan Heining's 2012 interview with Goode. A remarkable man and musician, the bassist connects aspects of British jazz from the 1930s through the war years and on through the fifties, sixties and seventies. He played with Caribbean-born and black British jazz pioneers ...
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