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Jeff Berlin: Joe Frazier Round 3 (CD Single)

Read "Joe Frazier Round 3 (CD Single)" reviewed by John Kelman

In the world of music, there are plenty of “could have beens," but far fewer “should have beens." Count Jeff Berlin amongst the latter. The American electric bassist first made a number of marks in the second half of the musically innovative 1970s on a series of '76 recordings by singers Patti Austin and Esther Phillips, ...

ARTICLE: CD/LP/TRACK REVIEW

Bruford: Seems Like a Lifetime Ago 1977 - 1980

Read "Seems Like a Lifetime Ago 1977 - 1980" reviewed by John Kelman

With the plethora of box sets being issued these days with new masters and, perhaps even more importantly, new mixes of classic recordings, it was inevitable that the small but significant discography of drummer Bill Bruford's first steps into a solo career with his band Bruford should finally get the deluxe treatment. Seems Like a Lifetime ...

ARTICLE: CD/LP/TRACK REVIEW

Blameful Isles: Strange But Not Entirely Unattractive

Read "Strange But Not Entirely Unattractive" reviewed by Dave Wayne

Essentially a one-man-band based in Sweden, Blameful Isles is one of many artists who are actively rediscovering and re-processing the sounds of the early jazz-rock movement of the 1970s. Overall, the ongoing re-vitalization of jazz-rock and fusion has been a really good thing. For audiences of a certain age, the mere sound of a real Fender ...

ARTICLE: EXTENDED ANALYSIS

Steven Wilson: Hand. Cannot. Erase.

Read "Steven Wilson: Hand. Cannot. Erase." reviewed by John Kelman

Sometimes you never can tell. When British singer, songwriter and multi-instrumentalist Steven Wilson released the old school progressive rock record The Raven That Refused to Sing (And Other Stories) (Kscope, 2013), who knew that it would not only turn out to be his best-selling album since walking away from Porcupine Tree to begin an increasingly successful ...

ARTICLE: PROFILES

Graham Bond: Wading in Murky Waters

Read "Graham Bond: Wading in Murky Waters" reviewed by Duncan Heining

Organist and saxophonist Graham Bond was the most important and influential musical pioneer to emerge from British jazz in the 1960s. High praise indeed, but in his case it is warranted. His legacy might be defined less by the music he recorded and more by the impact he had on subsequent generations of musicians. However, that ...

Uriel and Egg: The Road to Hatfield and Beyond

Read "Uriel and Egg: The Road to Hatfield and Beyond" reviewed by John Kelman

In the chronicles of progressive rock history, the British Canterbury scene has been largely defined by such groups as Caravan, Gong, Hatfield And The North, National Health and Soft Machine. But Uriel and its successor, Egg, have long been considered seminal precursors. Both featured future Hatfield keyboardist Dave Stewart, bassist/vocalist Mont Campbell and drummer Clive Brooks, ...

ARTICLE: CD/LP/TRACK REVIEW

Egg: The Civil Surface

Read "The Civil Surface" reviewed by John Kelman

First achieving prominence with seminal progressive/Canterbury group Egg, it was with Hatfield and the North that British keyboardist Dave Stewart matured into a more jazz-centric writer/player. That said, Egg's first two discs--Egg (Nova/Deram, 1970) and The Polite Force (Deram, 1971)--demonstrated a remarkably mature voice for someone who, alongside equal contributors Mont Campbell (bass, vocals, French horn) ...