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Content by tag "David Occhipinti"

ARTICLE: IN PICTURES

Ottawa Jazz Festival 2017

Read "Ottawa Jazz Festival 2017" reviewed by John R. Fowler

I always look forward to my hometown festival and over the past 30 years I have photographed Canadian and international artists that have performed at the Ottawa Jazz Festival. I try to capture the personality, energy, emotion, dedication and skill these talented artists display while playing jazz. Many of my festival photos have been exhibited in ...

ARTICLE: CD/LP/TRACK REVIEW

Tara Davidson: Duets

Read "Duets" reviewed by Dan Bilawsky

Saxophonist Tara Davidson has continually expanded the size of her band to suit each of her recording projects. Until now, that is. After working with a quartet, a quintet, and a nonet on record, Davidson has gone the other way, trimming things back and releasing a collection of artful duets that pair her with some of ...

Andrew Downing/Jim Lewis/David Occhipinti: Bristles

Read "Bristles" reviewed by Dan Bilawsky

A painterly approach to standards and a not-so-standard approach to portraying painters are the two themes of Bristles. Bassist Andrew Downing, trumpeter Jim Lewis, and guitarist David Occhipinti visit in on six classics--five of which were recorded live in January of 2013 at the Jazz Room in Waterloo, Canada--and create six miniature canvases that honor boundary-pushing ...

ARTICLE: LIVE REVIEWS

John Geggie / Ron Miles / David Occhipinti: Ottawa, Canada, January 14, 2012

Read "John Geggie / Ron Miles / David Occhipinti: Ottawa, Canada, January 14, 2012" reviewed by John Kelman

John Geggie / Ron Miles / David Occhipinti
Geggie Concert Series
NAC Fourth Stage, Ottawa, Canada
January 14, 2012

For his first concert of 2012, bassist John Geggie reaffirmed the astute ability to bring together musicians in unheard-of configurations that's made his longstanding Geggie Concert Series an Ottawa institution. Despite living in a ...

David Occhipinti: Intersection

Read "Intersection" reviewed by AAJ Staff

For David Occipinti's fourth record, the Toronto guitarist has expanded for the first time to a quartet. The conventional guitar unit with saxophone, bass, and drums serves his polite but outgoing sound, providing a platform where he can stretch the boundaries of traditional head-solos-head composition without straying overly far from formal structure. For the record, all ...