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Teddy Wilson
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His airy, effortless style, with its emphasis on lightly accompanied right-hand melody, was a key element in the transition from swing to bebop, and many modern jazz pianists took Wilson's approach as their starting point. His early recordings were percussive and forceful, but as he matured his technique became graceful, almost elegant. He was a gifted artist who used the full range of his instrument to his advantage. His recordings with Billie Holiday and Benny Goodman’s trio and quartet during the 1930s are considered classics. Wilson was born in Austin, TX in 1912, his parents were both schoolteachers
Violin Works For Jazz, Coltrane Between Miles And Sheets Of Sound
by David Brown
In week's edition we visit vivacious violin works in jazz from Ray Nance of the Ellington Outfit, Billy Bang & His Quartet, Jennifer Curtis with Tyshawn Sorley and a new release form NYC-based South Korean violinist Katherine Kyu Hyeon Lim. We'll also check in on some post Miles, pre-Atlantic/Impulse recordings from John Coltrane. Teddy Wilson the ...
Michael Dease: The Other Shoe: The Music of Gregg Hill
by AAJ Staff
"Think of any big city," Greg Hill says, introducing the narrative armature of his composition, “The Other Shoe," the denouement and title track of this stimulating collaboration with Michael Dease, who arranged each of Hill's 10 compositions contained herein. “It's 2 in the morning, you're still awake, and your neighbor comes in upstairs. You hear the ...
Billy Lester: Unabridged
by Howard Mandel
Pianist Billy Lester is a musical original. That's obvious from the first, oh, 17 seconds of Unabridged, his sixth album and second all-solo recording. Listen to the unusual, brief motif with which Lester opens “Overture: Passionate Musings," then develops, complicates and completes it faster than you'd tie a shoelace. Pause--and he continues. Not to ...
Jazz Musician of the Day: Teddy Wilson
All About Jazz is celebrating Teddy Wilson's birthday today! His airy, effortless style, with its emphasis on lightly accompanied right-hand melody, was a key element in the transition from swing to bebop, and many modern jazz pianists took Wilson's approach as their starting point. His early recordings were percussive and forceful, but as he matured his ...
Take Five with Bryan S. Wright
by AAJ Staff
Meet Bryan S. Wright Bryan S. Wright is a pianist and Grammy-nominated musicologist based in jny: Pittsburgh, Pennsylvania. Since 2003, he has been the Executive Producer of Rivermont Records, a label dedicated to preserving and promoting ragtime and early jazz styles through reissues of historic recordings alongside new recordings by today's most celebrated ragtime and early ...
Pianist Joe Block: At the Start of His Big Bang
by Victor L. Schermer
According to cosmologists, our universe started as a tiny speck and within a fraction of a second exploded into a huge ever-expanding space with all the galaxies, stars, and planets condensing out of the dispersed matter within it. This picture of the origins of the cosmos provides an apt metaphor for the way in which some ...
Jazz Musician of the Day: Teddy Wilson
All About Jazz is celebrating Teddy Wilson's birthday today! His airy, effortless style, with its emphasis on lightly accompanied right-hand melody, was a key element in the transition from swing to bebop, and many modern jazz pianists took Wilson's approach as their starting point. His early recordings were percussive and forceful, but as he matured his ...
Jon Hendricks: An Essential Top Ten Albums
by Peter Jones
Considering he reached the ripe old age of 37 before recording an album, Jon Hendricks' jazz legacy is remarkable. Although a singer, in his head he was more of an instrumentalist. When he improvised, he would imitate the tenor saxophone, the flute, the trombone, or the double-bass. His professional singing career lasted from 1932, when he ...
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