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ARTICLE: JAZZ POETRY

Poetry and Jazz: A Chronology

Read "Poetry and Jazz: A Chronology" reviewed by Duncan Heining

My intention here is to offer a detailed but inevitably incomplete chronology of poetry and jazz. The focus is solely on the combination of the two art forms in performance, not on poetry about jazz or jazz musicians or poetry inspired by jazz but not performed to music. My definition of 'poetry' is fairly broad and ...

ARTICLE: CD/LP/TRACK REVIEW

Benjamin Boone: The Poetry of Jazz

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Lenny Bruce might have skewered it with his skit, “Psychopathia Sexualis." Mike Myers' mildly misogynist poet might have parodied it in the movie I Married an Axe Murderer (1993). It has been dismissed as a late-fifties fad associated with the Beats. And, yet, the desire of poets and jazz musicians to combine their art forms has ...

ARTICLE: BOOK EXCERPTS

Mosaics: The Life and Works of Graham Collier

Read "Mosaics: The Life and Works of Graham Collier" reviewed by Duncan Heining

The following is an excerpt is from “Chapter 9: The Eighties or Graham Collier -The Wilderness Years" of Mosaics: The Life and Works of Graham Collier by Duncan Heining (Equinox Publishing, 2018). All Rights Reserved.

The late Graham Collier was a bandleader, a composer and a jazz educator. As far as this latter ...

ARTICLE: EXTENDED ANALYSIS

Naima/Live in Berlin

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Saxophonist Alan Skidmore has worked in many, many different settings during a career that stretches back to the early sixties with Alexis Korner--one of the three 'Fathers of British Blues" (paternity disputed!). That career has included recordings with John Mayall and Eric Clapton, Georgie Fame, Sonny Boy Williamson, Stan Tracey, Mike Westbrook, Mike Gibbs, the Walker ...

The Last Night At The Old Place

Read "The Last Night At The Old Place" reviewed by Duncan Heining

By any standards the release of The Last Night At The Old Place will prove to be one of archive releases of the year, second only, perhaps, to the 'Lost' Coltrane album. All power, therefore, to Mike Gavin who has inherited the Cadillac catalogue from the late John Jack with his first release of archive material. ...

GRANITE

Read "GRANITE" reviewed by Duncan Heining

GRANITE is Kate Westbrook's fourth solo album, though saying so seems quite an artificial point given her partnership with husband Mike Westbrook over so many recordings. As he is quick to point out, Kate's texts are crucial to the shaping of compositions and projects.

That said, GRANITE is Kate Westbrook's most ambitious record to ...

Wodgi

Read "Wodgi" reviewed by Duncan Heining

Trumpeter Dave Holdsworth has graced a number of key jazz recordings over the years, notably with Mike Westbrook, Barry Guy and Tony Oxley. At the same time, he recorded rather less than many of his peers from that important period in British jazz in the late '60s/early '70s. Instead of the vagaries of a career in ...

In Memory of Lou Gare

Read "In Memory of Lou Gare" reviewed by Duncan Heining

Best known for his work with the experimental, avant-garde collective AMM Music, Lou Gare began his career in jazz in the early 1960s, playing in one of Mike Westbrook's early groups. In more recent times, in Devon, he reconnected with Westbrook and became a stalwart member of Westbrook's orchestra and an inspiration to its younger musicians. ...

NEWS: BOOK / MAGAZINE

Mosaics: The Life and Works of Graham Collier by Duncan Heining from Equinox Publishing

Mosaics: The Life and Works of Graham Collier by Duncan Heining from Equinox Publishing

Mosaics is the first biography of bassist, band-leader, composer, educator and author Graham Collier. Duncan Heining draws extensively on Collier’s personal archive, as well as on interviews with fellow musicians, ex-students and colleagues from the Royal Academy of Music. It locates Collier and his work within the social and cultural changes which occurred during his life ...

ARTICLE: THE BIG QUESTION

Presenting Problem

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Jazz often appears to exist within its own cultural and artistic paradigm, isolated from other arts and in its own discreet musical corner. Worse still from the perspective of those who would hope to make a living from it, it often seems that more people want to play the music than listen to it or, more ...