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Piano Inside And Out: You Have To Be Modernistic
by David Brown
Today, a survey of piano approaches from James P. Johnson to Dorothy Donegan to Satoko Fujii and lots of folks in between. This is piano jazz.Playlist King Fleming Trio “Junction City Blues" from Stand By (Argo) 0:00:30 Randy Weston “Boram Xam Xam" from Khepera (Verve) 0:04:01 Earl “Fatha" Hines “Blues in Thirds" from The ...
The Complete Louis Armstrong Columbia & RCA Victor Studio Sessions 1946-66
by Skip Heller
Louis Armstrong officially returned to small band leadership May 17, 1947 via a triumphant concert at Town Hall that was less comeback than reaffirmation. It was even the dawn of his second great period, full of recordings that stood tall with his epochal 1920's output, and the subsequently-assembled Louis Armstrong and his All Stars would immediately ...
John Patitucci: The Quintessence of Acoustic and Electric
by Jim Worsley
John Patitucci had his life's work in mind at age twelve, At a time when most of us were worried about junior high school and pimples, Patitucci concluded that he was to be a professional musician. This was no typical young boy fantasy of playing center field for the Yankees, being an astronaut, or even being ...
The Touch of Your Lips, Part 2: Touch and Tone Color in Jazz Piano
by Kurt Ellenberger
Part 1 | Part 2 | Part 3 As mentioned in Part 1, tone color took on a prominent role in classical music in the 19C. The Romantic composers like Wagner, Strauss, Berlioz, Chopin and many others were, I think it is fair to say, somewhat obsessed with it. The composers before them were ...
Arturo Sandoval: Two Counties, Two Lives, One Trumpet de Oro
by Jim Worsley
Arturo Sandoval is widely considered the world's premier living trumpet player. You will get no argument from me. After a tumultuous life in Cuba, he and his family successfully sought political asylum in the United States. His story is well documented in For Love or Country (HBO, 2000). Andy Garcia portrays Sandoval in this movie that ...
2017: The Year in Jazz
by Ken Franckling
A year of achievements, challenges to gender inequality, scandal and losses The year 2017 was quite something for the jazz world. Incidents or discussions of misogyny and sexual misconduct bubbled up even before the #MeToo phenomenon developed. Beyond that, woman musicians made significant contributions to the genre. International Jazz Day brought its biggest stage ...
Pittsburgh Jazz: A Brief History
by Steve Rowland
This article was first published at the Explore PA History website. At first glance, Pittsburgh might not seem the most likely place to produce great jazz musicians. Situated on the western edge of the state, “Smoketown" was a gritty industrial city, better known for being the center of the nation's steel industry, than for ...
Clarence Becton: Straight Ahead Into Freedom
by Barbara Ina Frenz
Clarence Becton is a musicians' musician—meaning, someone well-known in musician circles. He belongs to the generation of American jazz heroes who grew up under economically and socially difficult circumstances, and for that very reason, succeeded in gaining a comprehensive education, emancipating himself, and embodying the history of jazz music by directly learning from and working with ...
Peter Saltzman: Blues, Preludes and Feuds
by Geannine Reid
Solo piano albums have the special place in the cannon of improvised music as a mode of presentation and holds an honored place in jazz; the history could even be traced to music predating the origins of the genre. In mechanical terms, it has not changed, one musical artist sitting at the piano for well over ...
Earl Hines, Pete Johnson and James P. Johnson: Reminiscing at Blue Note – 1939-43
by Marc Davis
In the beginning, there was the piano--if not in jazz generally, then definitely at Blue Note Records. From the start, Blue Note founder Alfred Lion was obsessed with the piano. Blue Note's very first recordings, in 1939, were 19 tunes by boogie-woogie pianists Meade “Lux" Lewis and Albert Ammons. You can hear them all ...
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