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Content by tag "Charlie Haden"

ARTICLE: CD/LP/TRACK REVIEW

Miguel Angelo: I Think I'm Going To Eat Dessert

Read "I Think I'm Going To Eat Dessert" reviewed by Jerome Wilson

Miguel Angelo is a Portuguese bassist whose main occupation is keeping the beat going for other musicians in various groups. If playing in bands is his “bread and butter" job, then it follows that a solo bass recording would be his “dessert."

For most of this effort, Angelo plucks and bows with a deep, resonant ...

ARTICLE: CD/LP/TRACK REVIEW

Dennis Gonzalez: Ts'iibil Chaaltun

Read "Ts'iibil Chaaltun" reviewed by Don Phipps

Dennis Gonzalez's trio, Ataraxia is comprised of trumpet (Gonzalez), bass (Drew Phelps), and percussion (Jagath Lakpriya), a mix of instruments that on the surface would alone suggest interesting music. And their double album, Ts'iibil Chaaltun, does not disappoint. There's a lot of desert in this music... large rocks that jut from the sand, dunes that stretch ...

ears&eyes Records: From Chicago to the World

Read "ears&eyes Records: From Chicago to the World" reviewed by Jakob Baekgaard

Those who feel that jazz has run out of steam, that there is nothing new to say, should encounter bassist and renaissance man, Matthew Golombisky, who runs the Chicago-based label ears&eyes. The name says it all. Golombisky is interested in what is going on around him. He is not only curious about music, but also passionate ...

ARTICLE: INTERVIEW

Fred Hersch: Life, Music, and the Creative Process

Read "Fred Hersch: Life, Music, and the Creative Process" reviewed by Victor L. Schermer

Since his arrival on the jazz scene in the 1970s, pianist Fred Hersch has developed from a sought after sideman to a multi-Grammy nominated jazz icon, creative force, and significant composer of songs, jazz standards, and original complete works, the latter including Leaves of Grass (Palmetto, 2005), based upon the poetry of Walt Whitman. As one ...

ARTICLE: LIVE REVIEWS

Pat Metheny at Belfast Waterfront

Read "Pat Metheny at Belfast Waterfront" reviewed by Ian Patterson

Pat Metheny
Belfast Waterfront
jny:Belfast, N. Ireland
November 14, 2017

“We've been trying to get a gig here for forty two years," Pat Metheny told the crowd at the Belfast Waterfront. Happily, the Missouri guitarist had at last found the city. It had been hidden out of sight all the time, ...

ARTICLE: CD/LP/TRACK REVIEW

Nate Birkey: Rome

Read "Rome" reviewed by Victor L. Schermer

With this listenable and relaxed album, trumpeter Nate Birkey joins with four excellent musicians he hooked up with while playing in Italy to deliver a set of mostly ballads in his signature style with introspective improvising, empathic warmth, and minimal vibrato. His playing here is reminiscent of Bix Beiderbecke, one of Chet Baker's formative influences. The ...

ARTICLE: UNDER THE RADAR

Culture Clubs: A History of the U.S. Jazz Clubs, Part II: New York

Read "Culture Clubs: A History of the U.S. Jazz Clubs, Part II: New York" reviewed by Karl Ackermann

Jazz didn't abandon jny: Chicago but its further development only began to take on a distinct personality in the 1960s. By the late 1920s, the next phase of the jazz scene had shifted from Chicago to New York though, initially, there was no red carpet rolled out. As jazz bands made their way to New York ...

Marco Bardoscia

Read "Marco Bardoscia" reviewed by Vincenzo Roggero

1. Johann Sebastian Bach, Glenn Gould, Goldberg Variations (Sony Classical, 1981).
La musica di Bach è per me di grande ispirazione e in particolare questa opera monumentale interpretata da Gould. A volte mi capita di ascoltarne degli estratti prima dei concerti.

2. Miles Davis, Relaxin' with the Miles Davis Quintet (Prestige,1958).

ARTICLE: CD/LP/TRACK REVIEW

Trespass Trio: The Spirit Of Piteşti

Read "The Spirit Of Piteşti" reviewed by John Sharpe

Swedish reedman Martin Küchen ploughs a rich variety of furrows, from explorative improvised summits to his rambunctious Angles aggregations, but one of the most enduring has been his Trespass Trio. On The Spirit Of Pitești, the fourth entry in the band's discography, he is joined by the same crew there since the inception, bassist Per Zanussi ...

ARTICLE: CD/LP/TRACK REVIEW

Jeong Lim Yang: Déjà Vu

Read "Déjà Vu" reviewed by Troy Dostert

On her excellent debut record, Déjà Vu, bassist Jeong Lim Yang proves that there's more than one way to make a first impression on a listener. Rather than taking the obvious route with up-tempo workouts or deviously complex compositions, Yang is content to carve out plenty of open space for her music to breathe. Her graceful ...