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ARTICLE: LIVE REVIEWS

SPHERES at Nublu 151

Read "SPHERES at Nublu 151" reviewed by Peter Jurew

SPHERES
Nublu 151
New York, NY
July 8 and August 6, 2019

SPHERES is a jazz collective recently started by keyboardist Jamie Saft and electric guitarist Chuck Hammer playing monthly gigs at Nublu, a loft-club showcase for new music in jny: New York City's East Village. Taking inspiration as well as ...

ARTICLE: INTERVIEWS

Denny Zeitlin: Balancing Act

Read "Denny Zeitlin:  Balancing Act" reviewed by Ken Dryden

Denny Zeitlin is a true Renaissance man with many interests, in addition to balancing his careers in medicine and music. Although his medical practice and teaching have limited his abilities to tour beyond brief trips east or playing near his home in California, he has recorded regularly in recent years, releasing a variety of projects for ...

ARTICLE: ALBUM REVIEWS

Christian Lillinger: Open Form For Society

Read "Open Form For Society" reviewed by Mark Corroto

German drummer and über composer Christian Lillinger might be best known for his ensemble Grund which has released several outstanding recordings since 2009. He can also be found in good company with musicians like Peter Evans, Samo Šalamon, Luís Lopes, Pascal Niggenkemper, Tobias Delius and Achim Kaufmann, to name but a few heavy hitters with whom ...

ARTICLE: JUST FOR FUN

Columbia Releases Miles Davis: The Rest

Read "Columbia Releases Miles Davis: The Rest" reviewed by Patrick Burnette

The can't-miss box set of the year Miles Davis: The Rest completes Columbia Records' thorough excavation of the great trumpeter's session work. As the press release notes, “Columbia was proud to offer eight steel-spine box sets of Davis' sessions, followed by our 70-disc Complete Studio Albums Collection, followed by our The Genius Of Miles Davis set ...

ARTICLE: ALBUM REVIEWS

Harriet Tubman: The Terror End of Beauty

Read "The Terror End of Beauty" reviewed by Vic Albani

Continuando l'audace cammino che solo chi conosce a perfezione tutti i meandri della musica moderna in generale può affrontare, Brandon Ross, Melvin Gibbs e JT Lewis, proseguono la strada di unire jazz, rock, blues e improvvisazione in modo esemplare.

The Terror End of Beauty segue di non molto lo straordinario Araminta uscito nel ...

ARTICLE: ALBUM REVIEWS

Charles Pillow Large Ensemble: Electric Miles

Read "Electric Miles" reviewed by Mark Corroto

You thought not, but you can put the genie back in the bottle. What we're talking about is the specter unleashed by Miles Davis with Bitches Brew (Columbia, 1970). Davis' expanded lineup for BB with ten-plus musicians, including the electric pianos of Joe Zawinul, Chick Corea, and Larry Young, Bennie Maupin playing bass clarinet, a young ...

ARTICLE: ALBUM REVIEWS

Samuel Hällkvist: Variety of Rhythm

Read "Variety of Rhythm" reviewed by Mark Corroto

Somewhere Miles Davis and Teo Macero are smiling. Swedish guitarist Samuel Hällkvist has taken their approach and refined it for the 21st century. What Macero began, with a razor blade and hours of fragmented and seemingly disjointed studio sessions, turned into the infamous Bitches Brew (Columbia, 1970). Hällkvist journeys a similar path, and most significantly here, ...

ARTICLE: ALBUM REVIEWS

Antonio Sanchez: Bad Hombre

Read "Bad Hombre" reviewed by Dan Bilawsky

Antonio Sanchez's drum score for Birdman or (The Unexpected Virtue of Ignorance) served as a game-changer in the film industry, completely upending notions of what a soundtrack can and can't be. But more importantly, it altered our collective viewpoint on what the art of solo drumming is capable of expressing. Pulling sound from nothing more than ...

ARTICLE: MULTIPLE REVIEWS

Old, Borrowed and Just a Little Blue

Read "Old, Borrowed and Just a Little Blue" reviewed by Geno Thackara

How many collections of standards does the jazz world really need? The answer, of course, is that there's always room for more as long as the players and listeners can find something relevant and fresh. Every piece on offer in this batch has been around for several decades at least, but these old things never fail ...

ARTICLE: ALBUM REVIEWS

SFJAZZ Collective: Live: SFJAZZ Center 2016 - Music of Miles Davis & Original Compositions

Read "Live: SFJAZZ Center 2016 - Music of Miles Davis & Original Compositions" reviewed by John Kelman

In the thirteen years since the SFJAZZ Collective first came together in February 2004, this revolving door octet (septet, in 2009) of “cream of the crop" US-based jazz musicians has, most years, followed a consistent modus operandi: select a well-known jazz (and, in two cases, beyond jazz) musician and pay tribute through innovative arrangements of his/her ...