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Content by tag "steely dan"

ARTICLE: CD/LP/TRACK REVIEW

Bruno Raberg: Tailwind

Read "Tailwind" reviewed by Gareth Thompson

In a 2005 interview, double bassist Bruno Råberg discussed how Scandinavian music reflects the country's vast mountains and forests. “You can see very far and that calmness and meditative spirituality comes through," he says. Born in Sweden, but a longtime resident of Boston, you sense Råberg still carries his homeland close to the heart.

ARTICLE: CD/LP/TRACK REVIEW

Analog Son: CTI

Read "CTI" reviewed by Joe Gatto

Analog Son is the brainchild of Jordan Linit (guitar) and Josh Fairman (bass), with only goal, TO FUNK!

Jordan Linit and Josh Fairman originally created Analog Son around a studio project involving the Shady Horns, Ryan Zoidis and Eric Bloom (Lettuce/Soulive), and Joe Tatton (New Mastersounds). Now in 2018, they have cultivated a steadfast ...

ARTICLE: CD/LP/TRACK REVIEW

Gadadu: Outer Song

Read "Outer Song" reviewed by Patrick Burnette

Look at the personnel for Brooklyn-based group Gadadu and you might be misled into thinking it's a jazz-based outfit--two (count 'em) horn players listed as full members and not an electric guitar in sight. But Gadadu (which sounds a little bit like a martial art for babies) is, at heart, a pop group, albeit one fond ...

ARTICLE: RADIO

Come Up to the Fender

Read "Come Up to the Fender" reviewed by Patrick Burnette

It's a mixed-bag this fortnight, with two brand new releases by up and comers (Sasha Mashin and Hubert DuPont), a theme album by a Spanish guitar-slinger, and one of many attempts to turn the jazzy music of Steely Dan into full-blown jazz. Pop matters features brief discussions of British odd-ball musicians Brian Eno and Syd Barrett, ...

ARTICLE: LIVE REVIEWS

Funchal Jazz Festival 2018

Read "Funchal Jazz Festival 2018" reviewed by Ian Patterson

Funchal Jazz Festival 2018
Santa Catarina Park
Madeira, Portugal
July 12-14, 2018

A stunning tableau greets visitors to the Funchal Jazz Festival entering by the main gate, at the top of Santa Catarina Park. The first thing that catches the eye are the spectacular trees that define the park's boundaries. ...

ARTICLE: INTERVIEWS

Michael Leonhart: Surfing on an Orchestral Wave

Read "Michael Leonhart: Surfing on an Orchestral Wave" reviewed by Ludovico Granvassu

If one were to find an answer to the age-old “nature or nurture" debate, s/he would have to look no further than The Painted Lady Suite [Sunnyside Records]. Listening to the stunning debut album by the Michael Leonhart Orchestra makes it clear that major achievements are only possible when nature and nurture are well integrated and ...

Gideon King: Street Jazz

Read "Gideon King: Street Jazz" reviewed by Paul Naser

New York based guitarist/composer/ songwriter Gideon King is no stranger to the city. Growing up there, he is well positioned to tell a story or two about the place. This is just what he sets out to do with his forthcoming release with his band City Blog, entitled Upscale Madhouse. Far from a condemnation, the title ...

ARTICLE: LIVE REVIEWS

Festival International de Jazz de Montréal 2018: Part 1

Read "Festival International de Jazz de Montréal 2018: Part 1" reviewed by John Kelman

Part 1 | Part 2

2018 Festival International de Jazz de Montréal,
Various Venues,
Montréal, Canada
June 29-July 3, 2018

Every return to Montréal for the city's annual Festival International de Jazz de Montréal is much-anticipated. Closing off six square blocks in the downtown core is rare enough; but, over ...

Gideon King: Upscale Madhouse

Read "Upscale Madhouse" reviewed by Paul Naser

The single “Fake It On Facebook" from Gideon King's forthcoming release, Upscale Madhouse is the ideal ambassador for the rest of the album. It encapsulates all the evolutions his writing has gone through since his last release, City Blog, while it showcases his unique musical and lyrical style.

In addition to King's preferred style ...

Michael Leonhart: The Painted Lady Suite

Read "The Painted Lady Suite" reviewed by Angelo Leonardi

A trent'anni esatti dalla scomparsa di Gil Evans, la sua lezione orchestrale rivive e si alimenta di nuove suggestioni. Il sorprendente e straordinario debutto della Michael Leonhart Orchestra rinnova un'estetica che in questi decenni ha ispirato Maria Schneider, in parte Darcy James Argue e alimentato la ricerca filologica e la rielaborazione di Ryan Truesdell.