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About Bootsy Collins
Instrument: Bass, electric
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Bootsy Collins
Born:
About Bootsy Collins Bootsy (born William Collins, October 26, 1951, Cincinnati) is one of the all-time great funk and R&B bassists/singer/bandleader. He formed his first group, the Pacesetters, in 1968, featuring Phelps “Catfish” Collins (his brother; guitar), Frankie “Kash” Waddy (drums), and Philippe Wynne (later of The Spinners fame). From 1969 to 1971, the group functioned as James Brown’s backup band and was dubbed the J.B.’s. In 1972, Bootsy joined George Clinton’s Parliament/Funkadelic. Collins and Clinton soon established a lifelong personal and musical friendship. He launched Bootsy’s Rubber Band as a spinoff of P-Funk in 1976, the band including his brother Phelps, Waddy (drums), Joel “Razor Sharp” Johnson (keyboards), Gary “Mudbone” Cooper (vocals), and Robert “P-Nut” Johnson (vocals), along with “the Horny Horns”
S'Low Down
Label: Vix Records
Released: 2022
Track listing: Ready, Set, Slow; Home Bass; The Chrome Addict; Mess That Up?; Ping Pong; Oh Tell Billy; Patchwork;
Silent Night In Tunisia; Just-in Time; S’Low Down.
Nik Bartsch: Entendre
by Chris May
Back in 2006, Swiss composer and keyboard player Nik Bärtsch's ECM debut, Stoa, recorded with his group Ronin, sounded like the album James Brown might have made if he'd appointed Steve Reich musical director of his backing band, The J.B.'s. Simultaneously cerebral and on the good foot, it was minimalism, Jim, but not as we knew ...
2020 and Me
by Skip Heller
As I type this, it is December 8, 2020, the fortieth anniversary of John Lennon's murder. I was then a newly-minted barband guitarist, fifteen years old and thinking how the world via the election of Ronald Reagan and music had just suffered the worst season that could ever be. 2020 has been an ongoing ...
Bassisterhood - Companion Mixtape
by Ludovico Granvassu
Straight-ahead to experimental, electric or acoustic, funky or bluesy, instrumental or with vocals, these female bass players cover the whole low-end gamut with their fascinating projects. This mixtape is a fun-filled companion to the two parts of our show Bassisterhood" (click here for Part 1 and Part 2). Happy listening!
Lionel Loueke, Roberto Cecchetto, Prince & Miles, Bootsy & More New Releases
by Ludovico Granvassu
In this week's exploration of new and upcoming releases we explore a whole range of human interactions, from Matt Wilson's hugs to Kahil El'Zabar's jumps and shout, from Prince and Miles Davis going mano a mano to Bootsy Collins and Branford Marsalis proceeding arm in arm like true funkateeers, from Antoine Pierre following Miles' steps to ...
The Nels Cline Singers: Share The Wealth
by Mike Jurkovic
A work of pummeling beauty, exhaustion and exhilaration await at the end of genre rogue guitarist Nels Cline's upheaval Share the Wealth, eighty minutes of magical, maniacal, free jam composition that, in perhaps a few more years down the line--if the line makes it past Election Day--we'll argue stands right up there with such and such ...
Omer Avital/Qantar: New York Paradox
by Fiona Ord-Shrimpton
The world in its collective viral neurosis is in a cold sweat. What to do? Store shelves are empty, hands have never been cleaner, and if all goes wrong, salaries may soon rise for those who will work. In these trying times, some days you simply must Avital"Omer Avital understands this. Thanks to his latest album, ...
Wild Card: Beast From The East
by Chris May
The impact of Jimmy Smith's organ trio in the mid 1950s was by all accounts massive. Nothing quite like it had been heard before in popular music. Smith unleashed a wailing, high decibel (for the era) monster which was also capable of expressing gentler moods. Audiences and record buyers went ape and Smith's label, Blue Note, ...
Marcus Miller: America's AmBASSadoor
by Jim Worsley
Marcus Miller is most often described as a jazz, funk, soul, fusion, and R&B bassist. As much as that is accurate, it is a description that falls well short of the mark. Miller is a high-end musical sponge who manages to incorporate today's cultures and rhythms into his compositions, layered within the framework of sound he ...