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Interview

Igor Willcox: Have Drums, Will Travel

Read "Igor Willcox: Have Drums, Will Travel" reviewed by Joshua Weiner


Brazilian drummer Igor Willcox is fast becoming one of the most interesting young artists in jazz. A string of superb releases with his jazz fusion quartet, which currently includes saxophonist Wagner Barbosa, electric bassist Ricardinho Paraiso, and pianist Erik Escobar, culminated in the 2025 album Time Traveller (Room73 Records, 2025). Music is in Willcox's blood, as Igor descends from several generations of successful musicians. “My mother, Sônia (Rocha) Willcox, is a celebrated Brazilian singer, and my father, Paulo César Willcox, ...

Album Review

Human Being Human: Being

Read "Being" reviewed by Neil Duggan


Inspired by the human experiences of living, connecting and creating, leading Danish trio Human Being Human return with Being. The album sees the trio expanding their soundscape as they collaborate with American saxophonist Chris Cheek. He brings his style and energy to the project, aligning perfectly with the trio's contemporary Danish explorations of the acoustic jazz trio format. The trio's first two albums, 2022's Equals and 2023's Disappearance (April Records), positioned the band as one of ...

Live Review

Stacey Kent At Birdland

Read "Stacey Kent At  Birdland" reviewed by Mark Edelman


Stacey Kent Birdland New York, NYDecember 17, 2025 Coolly attired in sedate, simple black trousers and matching jacket, Stacey Kent warmed up a sold-out crowd with an eclectic set on a frigid Wednesday at New York City's celebrated jazz bôite Birdland. Backed by longtime pianist Art Hirahara on the Yamaha grand, Tim Hubbard on bass and reedman (and Kent's husband of 34 years) Jim Tomlinson, Kent offered up a cool recital of her much-lauded, award-winning jazz ...

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Album Review

Usein Bekirov: Free Way Deluxe

Read "Free Way Deluxe" reviewed by Ian Patterson


Labels, reductive at best, prove especially slippery when applied to Lviv-based pianist-keyboardist Usein Bekirov. Ethno-jazz, ethno-fusion, jazz-funk--all these titles and more have followed his music around since his debut album, Taterrium (4Records, 2016). Born in Uzbekistan but raised in Crimea from the age of eight, Bekirov has drawn variously on his Ukrainian and Crimean Tatar roots, as well as Balkan and Azerbaijani folk music, alongside modern jazz-fusion. Previous collaborators have included fusion luminaries such as trumpeter Randy Brecker; saxophonist Ada ...

Year in Review

Super Nova In The Great White North: Explosive Jazz 2025

Read "Super Nova In The Great White North: Explosive Jazz 2025" reviewed by Kerilie McDowall


It's a long list of inspiring artists this year on the Canadian Best Of 2025 roster. Jazz spirit is in the air. An 11th release from the kaleidoscopic-robed, comedic powerhouse ensemble, saxophone groove favorites the Shuffle Demons, enhanced the year with their beyond-fab 2025 writing.  Funky sax lines interspersed with laughs, fun, and hipster-king attitude make them a Canadian treasure. Impressive Canada-US-Japan female-led supergroup Artemis' creative virtuosic music adventures kept us captive. And raved-about glowing artistry came from ...

Album Review

Kieran Brown: Loving You

Read "Loving You" reviewed by C. Michael Bailey


Youthful, conservatoire-trained vocalist upstart Kieran Brown brags in the opening song from her debut recording, Loving You: I've got a song that longs to be played Raise up my flag, begin my parade Then watch the world over start comin' up clover That's how it's gonna be, watch me You're gonna hear, you're gonna hear from me. Jackie Ward originally sang André Previn and Dory Previn's, “You're Gonna Hear From Me" in the ...

Radio & Podcasts

A post generic mix-Rin Seo Collective, Catalyst, Messthetics with James Brandon Lewis, and Shostakovich

Read "A post generic mix-Rin Seo Collective, Catalyst, Messthetics with James Brandon Lewis, and Shostakovich" reviewed by Hobart Taylor


Crossroads: Askew nuanced arrangements from composer Rin Seo, a jazz master class from Thad Jones, Frank Wess, Kenny Burrell, and Mal Waldron, Third Stream explorations from Kris Davis with the Lutoslawski Quartet, and some Shostakovich for context. Playlist Host Speaks 00:00 The Messthetics/James Brandon Lewis “Gestations" from Deface The Currency (Impulse) 00:15 Aubrey Johnson “Quem É Vocé" from The Lively Air (Greenleaf) 5:18 Catalyst “Celestial Bodies" from Perception (Craft) 11:40 Host Speaks 20:29 Jody Redhage Ferber/Alan Ferber/Mark Ferber ...

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Live Review

Nels Cline and Others At 2026 Winter Jazzfest's Manhattan Marathon

Read "Nels Cline and Others At 2026 Winter Jazzfest's Manhattan Marathon" reviewed by Paul Reynolds


Nels Cline and More Winter Jazzfest's Manhattan Marathon New York, NY January 9, 2026 Like New York's winters on the whole, the long nights of the city's Winter JazzFest demand hardiness. Moveable feasts that sprawl onto multiple stages in a neighborhood, the Jazzfest's celebrated marathons require braving New York's cold to trudge, for up to a mile, between clubs. And when you arrive at one, you may have to line up for a while and ...

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Album Review

Keith Jarrett: The Köln Concert

Read "The Köln Concert" reviewed by Jack Kenny


Keith Jarrett thrives on feeling embattled; he often finds that conflict stimulates his creativity. Anyone who has attended his live performances can palpably feel this tension. However, the difficulties surrounding the 1975 Köln Concert have passed into legend, creating a scenario where exhaustion, insomnia, and equipment failure conspired to alter music history. When Keith Jarrett arrived at the Cologne Opera House, he was confronted with a crisis. Instead of the requested Bosendorfer concert grand, he was presented with ...

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Year in Review

Marek Śmietański's Favorite Jazz Albums Of 2025

Read "Marek Śmietański's Favorite Jazz Albums Of 2025" reviewed by Marek J. Śmietański


Here's a list of albums released in 2025 that left more than just a mark on my memory. For many years now, I've stopped ranking albums as “the best." Such lists usually end up being either personal favorites or, in the case of vote-based rankings, simply the most popular ones--which aren't necessarily the best. I also don't feel any need to arrange them in any particular order or according to any specific criterion. Quick note: I rarely include live albums ...


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