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Keaggy, Levin, and Marotta: A Collaborative Album A Decade In The Making
Veteran musicians Phil Keaggy, Tony Levin and Jerry Marotta spent more than a decade crafting their debut collaborative album, The Bucket List (Self Released, 2019), the unique product of each artist's influences and pedigree. Marotta played drums and recorded with Peter Gabriel from 1976 to 1986. His introduction to music took the form of clarinet lessons in the fourth grade. Marotta recalled that “My music teacher wrote 'Jerry has absolutely no aptitude for the clarinet.'" After his brother, ...
read moreArturo Sandoval: Scoring Clint Eastwood’s “The Mule”
Trumpet legend and 10-time Grammy winner, Arturo Sandoval was recently personally selected by Hollywood legend--and noted musician and composer--Clint Eastwood to compose the soundtrack for Eastwood's eagerly-awaited and newly released motion picture, The Mule. Both the film and soundtrack have received rave reviews. The Maestro joined All About Jazz to discuss the project. All About Jazz: Maestro, on behalf of All About Jazz, thank you for taking time to speak with us about your composing the soundtrack for ...
read moreJay Clayton’s ScatLab—A Vocal Jazz Workout
For the last decade, free-bop vocalist Jay Clayton has been conducting regular “scat labs" out of the Manhattan teaching space that she shares with NEA Jazz Master Sheila Jordan. In ScatLab, jazz singers of all levels of experience meet up to trade twos and fours, riff on traditional blues heads, and improvise on well-known songbook tunes. The purpose here is to practice spontaneous composition in a safe space, away from the microphone and the audience. So if a singer trips ...
read moreGary Urwin: Inside the Mind of an Arranger
The arranger of music scores is as important as a crankshaft in an engine. Yet many are destined to live in the shadows. Ralph Carmichael was subsumed by the luster of Stan Kenton. Arranger Paul Riser, who wrote the opening bars to “Dancing in the Street," is a virtual unknown. And then there is Gary Urwin. Urwin escaped the dilemma of obscurity by, as he says, “modestly giving my name to the orchestra." Fortunately, for him, the Gary ...
read moreDevon Allman: Chipotle Blues
The son of Gregg Allman and Shelly Kay Jefts, our featured artist Mr. Devon Allman, was born in 1972 in Corpus Christi, Texas but grew up in Saint Louis, Missouri. Devon's musical journey and childhood was contrary to what many people assumed. There was no silver spoon and Devon did not learn how to play music by hanging out back stage at Allman Brothers concerts. In fact, Devon did not meet his father until he was in his teens. And ...
read moreBobby Broom: Classic Compositions from Yesterday to Today
What would your sensibilities say if an established jazz guitarist, supported by organ and drums, reinterpreted Seals and Crofts' “Summer Breeze," the Beatles' “Come Together," and Steely Dan's “Do It Again"? Perhaps you have heard this guitarist before with Sonny Rollins or Stanley Turrentine; maybe you heard the album where his guitar-acoustic bass-drums trio performed all Monk tunes. And now you see him leading the Organi-Sation, featuring organist Ben Paterson and drummer Kobie Watkins This ensemble's debut recording, ...
read moreStefon Harris: The Tradition of Jazz
Twenty-two years into his career, Albany, New York's Stefon Harris has fronted seven Blue Note LPs, served as co-lead on two others and recorded with a host of greats including Joshua Redman, Ry Cooder, Courtney Pine and Christian Scott. Because that's not enough for the 45-year-old, he's also a successful educator, public speaker, entrepreneur and an eloquent interview. He and I spoke last week about his upcoming Blackout album, Sonic Creed. All About Jazz: “Dat Dere," ...
read moreMike Stern: Living through a Jazz Clinic
A mop of straight hair that swings unbidden to the beat. A face weathered and creased as an old fence post. Hands ribbed by dorsal veins knotting and splitting atop the flexor tendons like highway off-ramps. Eyes lit with a hazel fire. And a slightly goofy smile you might see in a dog very glad to see you. This is Mike Stern, guitar god. Yeah, a god in a pantheon that might include John Scofield, ...
read moreOnaje Allan Gumbs: Dare To Dream
Onaje Allan Gumbs is a New York based pianist, composer, lyricist, and bandleader. Gumbs' professional career began in 1971 when Leroy Kirkland introduced him to Kenny Burrell, by sharing a demo tape. The next day Gumbs received a phone call to play with Burrell at Baker's Keyboard Lounge in Detroit. Onaje, (Gumbs) talks about the beginnings of his musical career, and the various artists, some who became friends, that he has collaborated with throughout those years. These artists have inspired ...
read moreGordon Au: Untraditionally Mad About Trad
Gordon Au draws upon a palette ranging from the traditional jazz of Louis Armstrong to the modern jazz of today. In New York, Gordon leads the Grand St. Stompers, a traditional jazz band called “a pillar of New York's hot jazz scene" by The New York Times, and appears with the Grammy-winning Vince Giordano and the Nighthawks, the Louis Armstrong Eternity Band at Birdland, Dandy Wellington, and others. He is in demand around the country as a soloist (International Trumpet ...
read moreMichael Feinstein: Errands and Rhythm Galore
"If you could have dinner with anyone from history, who would you choose?" That's a game many of us played as we imagined chatting up apostles, prophets, and heroes from the past. With Michael Feinstein, it's not a game. He's done it. He, more than anyone else, is the jazz Boswell: observer and companion to the likes of George Shearing, Rosemary Clooney, Frank Sinatra, Andre Previn, Ira Gershwin, Johnny Green, and many more who wrote or interpreted great ...
read moreZach Brock: Jazz Violin's New Wave
Best known for his work with Snarky Puppy, Zach Brock is among the most creative violinists of his generation. Zach Brock is bringing the violin back to center stage. Influenced by European masters of the seventies like Jean-Luc Ponty, Zbigniew Seifert, Didier Lockwood, Brock has widened his perspective from modern jazz to rock, finding a synthesis that connects classical precision with a strong melodic sense and remarkable improvisational skills. Brock has recorded and toured with the likes of Stanley Clarke ...
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East Of The Sun by Michael Kocour
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Jazz Story
I love jazz because it is musically complex, emotional, and challenges me. I was first exposed to jazz later in life, at around 29 years old. I met Barry Harris, Roy Hargrove, and Johnny O'Neal sitting in at jams in NYC
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By Kristin Callahan
Member since: 2015
