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Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

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Houston Person: I'm Just a Lucky So and So

Read "I'm Just a Lucky So and So" reviewed by Jack Bowers

Perhaps tenor saxophonist Houston Person is indeed A Lucky So and So, as he professes on his newly recorded album of that name, but it has taken far more than luck to sustain a long and successful career that spans more than half a century and numbers more than sixty albums as leader of his own groups. Person's “luck," such as it is, has been bolstered by his remarkable ability to connect with listeners—call it charisma or whatever you will—while ...

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George Cables: I'm All Smiles

Read "I'm All Smiles" reviewed by Peter Hoetjes

At a time when jazz is being pulled in every direction at once in search of a future some fear may not exist, musicians such as George Cables, Essiet Essiet and Victor Lewis are proving that, for those who listen, there is no place quite like the present. Essiet became the trio's bassist for its 2012 Highnote release My Muse, and has remained since. Cables has been fortunate with drummers throughout his career as a band leader. During the 1970s ...

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George Cables: I'm All Smiles

Read "I'm All Smiles" reviewed by Jack Bowers

George Cables, whose elegant piano has graced the jazz scene in New York City and elsewhere for more than five decades, has every reason to be All Smiles; at age seventy-four he is back at the keyboard, as sharp and inspired as ever, following surgery for ulcers that removed one leg above the knee. To mark the auspicious occasion, Cables guides a rhythm section of longtime friends and colleagues, bassist Essiet Essiet and drummer Victor Lewis, through its paces on ...

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David Kikoski: Phoenix Rising

Read "Phoenix Rising" reviewed by Jack Bowers

Pianist David Kikoski and tenor saxophonist Eric Alexander, among the brightest lights on New York City's jazz scene for more than two decades, have known each other for almost as many years but Phoenix Rising marks the first time they have recorded together. After listening, one observation springs immediately to mind: it's about time. A second premise is that the album swings and dazzles from start to finish--but one would expect no less from such masters of ...

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Frank Morgan & George Cables: Montreal Memories

Read "Montreal Memories" reviewed by Jack Bowers

Alto saxophonist Frank Morgan and pianist George Cables, two seasoned pros at the top of their game, joined forces to map this superb concert performance at the 1989 Montreal Jazz Festival. Morgan--unchained at last from his debilitating heroin addiction and four years removed from prison--is a wellspring of creativity and passion, while Cables, eleven years Morgan's junior, matches him stride for stride and note for note, much to the delight of a hip and enthusiastic audience at the Theatre Port-Royal. ...

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Joel Harrison: Angel Band: Free Country Vol. 3

Read "Angel Band: Free Country Vol. 3" reviewed by Peter Hoetjes

Possessed of restless creativity and a desire not to repeat himself, guitarist/vocalist Joel Harrison took a 14-year hiatus between albums in his Free Country series to release over a dozen other efforts before returning with Angel Band: Free Country Volume 3. Building on the foundation set by the first two albums, he recruits a few returning musicians as well as a menagerie of new talent, including a handful of vocalists. Harrison takes an amalgamation of folk, country, bluegrass ...

ALBUM REVIEWS

Frank Morgan and George Cables: Montreal Memories

Read "Montreal Memories" reviewed by Peter Hoetjes

Montreal Memories is a duet album recorded at Theatre Port Royal on July 1, 1989, featuring two of the most talented jazz artists of any generation: alto saxophonist Frank Morgan; and pianist George Cables. This is the second duet album they've released, the first being Contemporary's Double Image in 1987. A jazz duet is a format which invites intimacy and profundity, more than the typical quartet or quintet setup. Two musicians must really know each other, to be ...


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