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Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

ALBUM REVIEW

Oliver Lake: Right Up On

Read "Right Up On" reviewed by Troy Dostert

Although he will always be known first and foremost as an uncompromising saxophonist who helped catalyze the jazz avant- garde from the 1970s onward, it's also worth recognizing Oliver Lake's ambition as a composer. He has a particular fondness for strings in this regard, actually, as he has composed extensively for string quartets for over twenty years, starting with his String Project on Movements, Turns and Switches, from 1996 on his own Passin' Thru label. But most of his work ...

ALBUM REVIEW

Oliver Lake: Right Up On

Read "Right Up On" reviewed by Roger Farbey

Despite having performed with the Flux Quartet since as long ago as 2002, this is actually the first recording of compositions by saxophonist Oliver Lake featuring the Quartet. Lake himself is a septuagenarian of renown having been a founder member of the World Saxophone Quartet and Trio 3 with Reggie Workman and Andrew Cyrille (whose Time Being album on Intakt is released this year), to name just a couple of examples. Taking his cue more from György Ligeti ...

ALBUM REVIEW

Oliver Lake / William Parker: To Roy

Read "To Roy" reviewed by John Sharpe

Bassist William Parker has formed productive liaisons with some wonderfully expressive alto saxophone players in the past--Rob Brown and Jemeel Moondoc both spring to mind. But To Roy represents his first time on record with Oliver Lake, best known as a third of Trio 3 and a quarter of the World Saxophone Quartet. They recorded their duo album during the month of dedicatee trumpeter Roy Campbell's unexpected passing at age 61 in January 2014. Each brings a sheaf of compositions ...

ALBUM REVIEW

Oliver Lake - William Parker: To Roy

Read "To Roy" reviewed by Glenn Astarita

To Roy is dedicated to the late trumpeter Roy Campbell Jr., who had risen among the ranks as a first-call session artist amid a fruitful career as a leader. He was an astute and powerful improviser who succumbed to cardiovascular disease on January 9, 2014. And this album signifies the first collaboration between ultra-modern jazz giants, bassist William Parker and saxophonist Oliver Lake. It's a tightly focused encounter, where the musicians engage in plentiful call and response activities ...

ALBUM REVIEW

Oliver Lake / Christian Weber / Dieter Ulrich: For A Little Dancin’

Read "For A Little Dancin’" reviewed by Nic Jones

Alto and soprano sax man Oliver Lake has been a key member of a trio with bassist Reggie Workman and drummer Andrew Cyrille in the past. That band, sometimes with the addition of a pianist, has been responsible for some of this century's most compelling small group jazz. This alto sax-bass-drums trio thus has a lot to live up to, but live up to it they do with For A Little Dancin', and not least because they're a trio whose ...

LIVE REVIEW

Oliver Lake Solo: San Diego, December 17, 2010

Read "Oliver Lake Solo: San Diego, December 17, 2010" reviewed by Robert Bush

Oliver Lake Sushi Performance and Visual Arts San Diego, CA December 17, 2010 Saxophonist, composer, poet and painter Oliver Lake stands at the top of his profession alongside such giants as his contemporaries, multi-instrumentalists Anthony Braxton, and Roscoe Mitchell. His solo concert at Sushi Performance and Visual Arts was the final installment of adventurous curator Bonnie Wright's excellent “Fresh Sounds" series. Lake doesn't perform solo concerts all that often, so this was a rare ...

ALBUM REVIEW

Oliver Lake: Makin' It

Read "Makin' It" reviewed by Hrayr Attarian

Changing a few elements of a well known musical format may be all that is needed to create a new and fresh sound. Makin' It, Oliver Lake has taken the old saxophone organ trio popularized in the 1950s by the likes of Ike Quebec and made it into a new vehicle for 21st century improvised music. He has replaced the tenor saxophone--the instrument traditionally associated with this combo--with his alto. Though he remains true to the gospel-inflected ...


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