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Frode Gjerstad: Day Two

Read "Day Two" reviewed by John Sharpe

Detail was a band ahead of its time. The co-operative trio formed in 1981 by Norwegian reedman Frode Gjerstad and English drummer John Stevens, was completed in its first incarnation by South African bassist Johnny Dyani. Day Two was recorded in Gjerstad's hometown Stavanger, and as the name suggests, it was the result of the second day in the studio, following on from the session which generated Backwards And Forwards (Impetus, 1982). Originally released by Gjerstad as Okhela in cassette ...

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Frode Gjerstad / Fred Lonberg-Holm / Matthew Shipp: Season of Sadness

Read "Season of Sadness" reviewed by Karl Ackermann

Norwegian multi-reedist/composer Frode Gjerstad has been active in free jazz and avant-garde music across five decades. Among his collaborators are Paal Nilssen-Love, Peter Brötzmann, Evan Parker, Derek Bailey, William Parker, Sabir Mateen and Johnny Dyani. Gjerstad has toured and played festivals extensively, in Europe and North America, and composed commissioned work for the historic Moldejazz festival. For Season of Sadness he is teamed with long-time associate and cellist Fred Lonberg-Holm and celebrated pianist Matthew Shipp. A staple of ...

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Frode Gjerstad Trio + Steve Swell: Bop Stop

Read "Bop Stop" reviewed by John Sharpe

The bones of Norwegian saxophonist Frode Gjerstad's Trio go back a long way. He first co-opted drummer Paal Nilssen-Love into his Circulasione Totale Orchestra when he was still a teenager. Although bassist Jon Rune Strøm is a more recent recruit, he has still been on board since 2011. As such the consistently high quality interplay they generate should come as little surprise. The addition of trombonist Steve Swell to supplement the trio is a bonus, providing a foil for Gjerstad ...

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Frode Gjerstad Trio: Steam In The Casa

Read "Steam In The Casa" reviewed by Nicola Negri

Frode Gjerstad has been a key figure of Norway's free jazz scene since the 1970s. In 1981 he started a fruitful collaboration with John Stevens, who encouraged him to pursue his interests in free improvisation, eventually connecting him with a diverse range of important international musicians. A few years later he started working with a younger generation of promising Norwegian improvisers, meeting Paal Nilssen- Love when the drummer was only 15; since then they created a strong musical and personal ...

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Bobby Bradford / Frode Gjerstad Quartet: The Delaware River

Read "The Delaware River" reviewed by John Sharpe

This live date from Philadelphia in 2014 forms the seventh in a string of releases by the Bobby Bradford and Frode Gjerstad quartet. Their association dates back to 1986 when cornetist Bradford first encountered Norwegian reedman Gjerstad as part of co-operative group Detail, convened by drummer John Stevens. All of that experience shows in the relaxed but practiced concision as they navigate through four seat of the pants negotiations on this limited edition LP. It's one of their best showings ...

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Bobby Bradford / Frode Gjerstad / Ingebrigt Haker Flaten / Paal Nilssen-Love: Kampen

Read "Kampen" reviewed by John Sharpe

If Kampen sounds like old friends settling down to chew the fat, then that's because that's exactly what's happening. Norwegian reedman Frode Gjerstad has waxed ten discs in the company of veteran American cornetist Bobby Bradford since they first met on tour with drummer John Stevens in England in 1986. However, this 46-minute live LP stands as one of their best since Through The Woods (CIMP, 1997). All four cuts are spontaneous compositions, the product of collective listening and playing ...

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Frode Gjerstad & Paal Nilssen-Love: Side by Side

Read "Side by Side" reviewed by Glenn Astarita

Prominent Norwegian improvisers Frode Gjerstad (alto saxophone, clarinets) and Paal Nilssen-Love (drums) toured North America in 2008 sans a bassist, and recorded this album at a studio in upstate New York, accentuating their synergy via a largely rough and tumble implementation. Gjerstad shows a fondness for the upper-register and produces a myriad of microtonal and edgy sound-sculpting statements atop Nilssen-Love's bustling polyrhythms, infused with perpetual motion and resonating counter-maneuvers. Gjerstad's scathing tonal swashes and darting lines embody a ...


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