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Jazz Articles about Franco Ambrosetti

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Liner Notes

Dino Betti van der Noot: Here Comes Springtime

Read "Dino Betti van der Noot: Here Comes Springtime" reviewed by AAJ Staff


There are some musicians whose instrument is the orchestra. They hear multiple voices, textures, harmonic designs. And if they are jazz composers, they hear the sweet and pungent tension between the orchestra and the improvising soloist. If, moreover, they are composers interested in more than self-gratification, they hear, as they write, particular players so that the ultimate scores reflect a range of individual personalities, each of them telling their own stories as well as that of the composer.

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Album Review

Franco Ambrosetti: Nora

Read "Nora" reviewed by Dan McClenaghan


Franco Ambrosetti's album is called simply Nora. Short and sweet, four letters, two syllables. But it could easily have been called “Franco Ambrosetti with Strings," as the Swiss flugelhornist & trumpeter follows the orchestral path of alto saxophonist Charlie Parker and his groundbreaking Charlie Parker With Strings (Verve, 1950), trumpeter Chet Baker's Chet Baker with Strings (Columbia, 1953) or trumpeter Clifford Brown's Clifford Brown with String (Verve, 1955). Those early forays into orchestral jazz set the template of ...

14
Album Review

Franco Ambrosetti: Lost Within You

Read "Lost Within You" reviewed by Chris M. Slawecki


Lost Within You is a masterpiece of smoldering passion and beauty ignited by the exquisite trumpet and flugelhorn melodies of Franco Ambrosetti. Ambrosetti assembled an enviable ensemble: bassist Scott Colley and drummer Jack DeJohnette in the rhythm section, plus guitarist John Scofield, and Renee Rosnes and Uri Caine switching turns as pianist. But the star of Lost Within You is Ambrosetti's haunting, delicate and graceful sound, revealed in one masterful ballad after another. “Miles Davis was ...

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Album Review

Franco Ambrosetti: Lost Within You

Read "Lost Within You" reviewed by Doug Collette


The Franco Ambrosetti Band Band's Lost Within You is a supremely unassuming listening experience. An all-star band helps the trumpeter composer conjure a sensuous mood that only grows progressively engrossing over the course of the seventy-plus minutes playing time of the album. The seductive sensation is an inexorable process that commences with the very first cut. The second-longest track on the record next to “Body and Soul," Horace Silver's “Peace" features drummer Jack DeJohnette at the piano and ...

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Interview

Franco Ambrosetti: Busy Businessman, Exquisite Artist

Read "Franco Ambrosetti: Busy Businessman, Exquisite Artist" reviewed by R.J. DeLuke


Franco Ambrosetti, a horn player from Switzerland, has a unique perspective on music and art. Because his vantage point is different than many musicians, having held the position as CEO of a significant company in Europe. He plays trumpet and flugelhorn with a rich tone and an approach that has matured over time, shifting from a propensity to blaze through bebop runs to a more thoughtful approach where the listener is taken on a smoother ride--not less meaningful, but different. ...

17
Album Review

Franco Ambrosetti Band: Lost Within You

Read "Lost Within You" reviewed by Dan McClenaghan


Swiss trumpeter / flugelhorninst Franco Ambrosetti opens his Lost Within You with “Peace," from the pen of pianist Horace Silver. The original rendition comes from Silver's Blowin' The Blues Away (Blue Note, 1959). It was a composition that Silver stumbled upon when he was “doodling around on the piano, and it just came to me." It featured Blue Mitchell's characteristically brassy trumpet tone. It was unusual in the Silver songbook—an introspective, patiently deployed ballad, instead of the normal hard-charging, romps ...

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Album Review

Franco Ambrosetti: Long Waves

Read "Long Waves" reviewed by Chris M. Slawecki


Trumpeter Franco Ambrosetti balances in the middle of three jazz generations, the father of saxophonist Gianluca and son of saxophonist Flavio, who once played opposite Charlie Parker at the Paris Jazz Festival. Although he grew up studying classical piano, which you strongly hear in the long lines of his lyrical playing, he picked up trumpet at age 17. Ambrosetti was profoundly changed when he inevitably discovered Miles Davis. “Miles sometimes was playing just three notes but with so ...


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