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Barry Altschul, David Izenson, Perry Robinson: Stop Time: Live At Prince Street, 1978
by John Sharpe
If at all familiar to modern day listeners, David Izenzon's name is most likely to ring a bell for his bass wizardry on Ornette Coleman's two-volume At The Golden Circle Stockholm (Blue Note, 1965). But the archive recording Stop Time is a reminder of just what listeners are missing. Izenson remained active well after his sojourn with Ornette, playing in New York City, with the likes of Jaki Byard and Paul Motian, until his untimely death in 1979, aged 47. ...
read moreA.R.C.: A.R.C.
by Mike Jurkovic
Without the exploding theorems of multi-reedist/composer/alchemist Anthony Braxton, A.R.C., the multifarious rhythm trio of Chick Corea, Dave Holland and Barry Altschul, continue the grand work of the short-lived (but most esteemed) quartet Circle on this 1971 reissue and remaster of the exploratory and free flying A.R.C. Corea, who, after a short solo turn would soon break the realm with Return To Forever is especially feisty here, as too is Holland, who would a year hence record Conference of ...
read morePaul Bley Trios: Play Annette Peacock Revisited
by Maurizio Comandini
Questi bellissimi quattordici brani sono stati registrati nel 1966 (i primi otto) e nel 1968 (i restanti sei). Tutti sono stati scritti da Annette Peacock e registrati dal trio di Paul Bley, assieme a brani di altri compositori, per poi essere pubblicati nei mesi successivi alla registrazione stessa. Questo eccellente CD della Ezz-Thetics estrae e raggruppa in un unico album i brani scritti dalla compagna di Paul Bley con una iniziativa geniale che mette in grande evidenza la singolarità della ...
read moreGebhard Ullmann / Steve Swell / Hilliard Greene / Barry Altschul: We're Playing In Here?
by John Sharpe
For musicians, one consolatory by-product of lockdown was the chance to reappraise the archives, which led to a subsequent bonanza of deserving material reaching the marketplace. Whether that was the genesis of the limited edition LP We're Playing In Here? is a moot point, but this 2007 studio recording by the Gebhard Ullmann / Steve Swell Quartet certainly more than justifies release. It is the fourth album by what was a cracking band, although it actually predates the outfit's second ...
read moreRicky Ford: The Wailing Sounds of Ricky Ford: Paul’s Scene
by Richard J Salvucci
Is there a more underrated player than Ricky Ford? On any horn? Perhaps the fact that he took over Paul Gonsalves' chair in the (Mercer) Ellington orchestra when he was still a kid led people to think he had yet to prove himself. There was a brief stint with Charles Mingus. And there was his association with Lionel Hampton as a featured soloist. Ford showed up in a number of bands, most notably with Tom Harrell in Play ...
read moreOGJB Quartet: Ode To O
by John Sharpe
An assemblage of stars doesn't always result in a constellation. But astronomers will need to take note in the case of the OGJB Quartet, called after the forename initials of the four members: reedman Oliver Lake, cornetist Graham Haynes, bassist Joe Fonda and drummer Barry Altschul. On the venerable collective's second album Ode To O following their eponymous debut in 2019, one of the most striking traits is how much they sound like a band. As might be expected in ...
read morePaul Bley: Touching & Blood Revisited
by Vic Albani
Credo che la maggior parte degli appassionati e ascoltatori di musica jazz che hanno progressivamente conquistato la materia durante i primi anni di ascolto, si sia presto resa conto della immensa peculiarità che un trio-jazz porta con sé, specialmente dopo gli anni in cui un certo Bill Evans portò agli onori della cronaca le particolari geometrie che caratterizzano una delle più emblematiche formazioni della musica afroamericana. Paul Bley è un maestro del piano-trio. Le sue prime registrazioni accanto ...
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