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William Hooker: Light The Early Years 1975-1989

Read "Light The Early Years 1975-1989" reviewed by Mark Corroto

The good news is that record executives are no longer the gatekeepers of taste and style in music today. Inexpensive recording equipment and the advent of digital music allow the artist, and the audience to cast a wide net these days. This wasn't the case forty years ago, especially for the improvised jazz scene. Studio time was expensive and the production of vinyl LPs, in the quantities free jazz sold, was cost prohibitive. Documents of the time, when improvised music ...

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William Hooker: Light

Read "Light" reviewed by John Sharpe

Light constitutes another welcome instalment from the back pages of NYC free jazz by the Lithuanian No Business imprint, following on from Jemeel Moondoc's Muntu Recordings (2009), Commitment's Complete Recordings 1980/1983 (2010) and William Parker's Centering: Unreleased Early Recordings 1976-1987 (2012) box set, among others. The label has released some of drummer William Hooker's most accomplished work in recent years, such as Bliss -Earth's Orbit (2010) and Live At Vilnius Jazz Festival (2014) as well as previous documents from the ...

TAKE FIVE WITH...

Take Five with William Hooker

Read "Take Five with William Hooker" reviewed by William Hooker

About William Hooker: I grew up in New Britain, Connecticut and basically was a good student, and came from a good home. I did all that I could possibly do to make my way through New Britain High School, Nathan Hale Junior High, and Central Conn. State College. I tried to get good grades to be an exceptional student as far as playing in the band and orchestra, in leading the chorus and student councils. I was brought up ...

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William Hooker & Liudas Mockūnas: Live at Vilnius Jazz Festival

Read "Live at Vilnius Jazz Festival" reviewed by John Sharpe

Veteran drummer William Hooker continues to expand his varied discography on the No Business imprint, with the addition of Live At Vilnius Jazz Festival. Like Crossing Points (2011) with the late reedman Thomas Chapin, it's a meeting with a resourceful saxophonist -this time Liudas Mockūnas, a co-founder of the label. But unlike the former encounter, on this occasion Hooker avoids the all out aural assault which tested Chapin to the limits, settling instead for power exercised with restraint and precision. ...

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William Hooker & Liudas Mockūnas: Live at Vilnius Jazz Festival

Read "Live at Vilnius Jazz Festival" reviewed by Mark Corroto

Did somebody say “bring it?" Must have, because the combination of muscleman drummer William Hooker and Lithuanian saxophonist Liudas Mockūnas surely delivers the goods in this 53-minute duo improvisation performance at the Vilnius Jazz Festival in October 2013.The four lengthy tracks are part of a continuous set the two seared into their audience's ears. Certainly, the combination of Hooker's dynamo and Mockūnas' lung bursting breath are present here, so is a discriminating subtle sound. Hooker, a ...

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William Hooker: Heart of the Sun

Read "Heart  of the Sun" reviewed by John Sharpe

Suddenly Heart Of The Sun from veteran drummer William Hooker's The Gift looks a whole lot more poignant. With the passing of trumpeter Roy Campbell in January 2014, Hooker has been deprived of one of his longest collaborators. Campbell first appeared alongside the drummer on Colour Circle (CJR, 1989) as part of the self styled three member William Hooker Orchestra, and then later as one third of The Gift on Live at Sangha (Bmadish Records, 2005). As ever here Campbell ...

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William Hooker: Channels of Consciousness

Read "Channels of Consciousness" reviewed by John Sharpe

On the face of it the title couldn't be more apt, as drummer William Hooker leads his four accomplices through an organically unfurling invention fashioned from their collective streams of consciousness. But a closer listen betrays signs of premeditation, not least in trumpeter Chris DiMeglio's wistful reiterated motif which reappears at regular junctures during the continuous 68-minute performance. Other evidence comes from the presence of an overarching form, as intricate drum and percussion grooves bookend the piece captured live at ...


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