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Issie Barratt: Every Solo Is A New Invitation

Read "Issie Barratt: Every Solo Is A New Invitation" reviewed by Duncan Heining

Issie Barratt is one of the most significant jazz educators in Britain today. From 1999-2004, Barratt was head of Jazz at Trinity College of Music but her role as Artistic Director of the National Youth Jazz Collective has been of even greater importance in developing young jazz talent. Now in its, thirteenth year, NYJC goes from strength to strength with a faculty of over seventy tutors, including many of the finest musicians in the country. Crucial in our very male ...

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BAN BAM: Talking Music

Read "BAN BAM: Talking Music" reviewed by Ian Patterson

Regular goers to jazz/improvised music gigs and festivals might have clocked the fact that those on stage tend to be predominantly male--a mirror, more often than not, of the make-up of the audience. Women instrumentalists are the exception rather than the norm. Though what exactly, we should perhaps ask ourselves when it comes to music and gender, is normal? This, and many other questions related to the gender imbalance in jazz/improvised music, are put under the microscope at ...

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Issie Barratt: Astral Pleasures

Read "Astral Pleasures" reviewed by Nic Jones

Composer/baritone saxophonist Issie Barratt's music is nothing if not distinctive. The balance it strikes between ensemble and soloists usually comes down on the side of the former. Soloists such as guitarist Mike Outram--whose work sometimes recalls Chris Spedding's in the early line-ups of trumpeter Ian Carr's band Nucleus--and saxophonist Mark Lockheart, however, ensure that there's enough stimulation for listeners whose interests fall into one camp or the other. Lockheart is a one-time member of the British band Loose Tubes, and ...


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