Articles | Popular | Future

ALBUM REVIEWS

Tatsuya Nakatani: Confirmation

Read "Confirmation" reviewed by Nicola Negri

Percussionist Tatsuya Nakatani moved from Japan to the U.S.A. in the mid 1990s, and since then he has worked with many important jazz and free improvisers, both historical figures like Peter Kowald or Fred Van Hove, and younger musicians like Ingrid Laubrock and Mary Halvorson. A specialist of the solo set, he builds his own instruments and employs original techniques to suit his particular style, blending an avant-jazz sensibility with the sense of space and laconic beauty of traditional Japanese ...

MULTIPLE REVIEWS

Tatsuya Nakatani / Harold Rubin / Barre Phillips / Assif Tsahar

Read "Tatsuya Nakatani / Harold Rubin / Barre Phillips / Assif Tsahar" reviewed by Eyal Hareuveni

Japanese percussionist Tatsuya Nakatani's last visit to Israel produced two albums. Both are totally different in their spirit. Both feature Nakatani's unique manner of shaping and extracting sounds from the cymbals and the skins of the drums that blossom as a memorable music. Harold Rubin / Barre Phillips / Tatsuya Nakatani3 On A Thin LineHopscotch Records2013 This live recording from April 2009 documents the first ...

MULTIPLE REVIEWS

Tatsuya Nakatani: Essences and Abiogenesis

Read "Tatsuya Nakatani: Essences and Abiogenesis" reviewed by Clifford Allen

What is improvised music without visuality? While the music of improvising composers can be felt and picked apart aurally, the physical act of making music in an un- preconceived setting is something rather extraordinary and easily lost through the audible distance of a recording. It's not just the dynamic, theatrical high jinks of a player like percussionist Han Bennink or ferociously deft fiddling of bassist Barry Guy (with his table of accoutrements at the ready). That visualness can be in ...