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Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

LIVE REVIEWS

A to JazZ Festival 2019

Read "A to JazZ Festival 2019" reviewed by Ian Patterson

A to JazZ Festival 2019 South Park II Sofia, Bulgaria July 5-7, 2019 Jazz on a summer's day. There's nothing quite like it. To see Sofia's South Park II packed with somewhere between fifteen and twenty thousand people for three days of jazz, where a veritable sea of good vibes held sway, was an uplifting sight. That people came in such numbers was chiefly due to the fact that A to JazZ ...

LIVE REVIEWS

Christian Scott aTunde Adjuah at Bandcamp Record Store and Performance Space

Read "Christian Scott aTunde Adjuah at Bandcamp Record Store and Performance Space" reviewed by John Bricker

Christian Scott aTunde Adjuah Bandcamp Record Store and Performance Space Christian Scott aTunde Adjuah Live at Bandcamp Oakland, CA June 27, 2019 While his band played “Songs She Never Heard," a piece from his 2019 album Ancestral Recall, Christian Scott aTunde Adjuah paced across the stage, shaking a steady groove on his tambourine. When he stopped to lean over pianist Lawrence Fields, Fields looked over his shoulder and smiled back at him. Then Scott ...

ALBUM REVIEWS

Christian Scott aTunde Adjuah: Ancestral Recall

Read "Ancestral Recall" reviewed by Karl Ackermann

It's rare to see Christian Scott aTunde Adjuah's name without some derivation of “architect" affixed to it. It's appropriate. The New Orleans trumpeter and composer—like his peers Kamasi Washington and Ambrose Akinmusire—is part of a wave of jazz musicians determined to keep the genre's momentum moving forward. Adjuah's Ancestral Recall seeks to dismiss notions of identity-based music, with a more inclusive form. As if to demonstrate comprehensiveness, Adjuah opens the collection with a very busy “Her Arrival." Featuring ...

ALBUM REVIEWS

Christian Scott aTunde Adjuah: Ancestral Recall

Read "Ancestral Recall" reviewed by Phillip Woolever

Throughout two decades worth of previous releases, trumpeter Scott aTunde Adjuah has proved to be a master of his horn and an artist of soulfully ignited passions. With this album, the 35-year old multi-instrumentalist from New Orleans should add further accolades to his already sterling reputation. He defines current endeavors as “a map to de-colonialize sound, to challenge previously held misconceptions about some cultures of music" and applies a self-described “stretch" concept of examination and experimentation to what ...

LIVE REVIEWS

2016 Montreal Jazz Festival: June 29 - July 1, 2016

Read "2016 Montreal Jazz Festival: June 29 - July 1, 2016" reviewed by Mark Sullivan

Festival International de Jazz de Montréal Montréal, Canada June 29-July 9, 2016 When they say the Montreal Jazz Festival is the biggest in the world, they're not kidding. Several city blocks full of concert venues, outdoor stages, and vendors. There are six seated concert venues on the grounds, and another six just offsite (literally down the block)--so many that I didn't get inside all of them in three nights of concerts. There's simply no way that ...

LIVE REVIEWS

Freihofer's Saratoga Jazz Festival 2016

Read "Freihofer's Saratoga Jazz Festival 2016" reviewed by R.J. DeLuke

Freihofer's Saratoga Jazz Festival Saratoga Performing Arts Center Saratoga Springs, NY June 25-26, 2016 Plenty of fine music was presented at the 2016 version of Freihofer's Saratoga Jazz Festival by musicians young, old and in between. On piano, for instance, it ranged from Joey Alexander, who turned 13 on the day he performed, to Chick Corea, who turned 75 two weeks before he performed. But special kudos for the weekend ...

LIVE REVIEWS

Christian Scott at Charlie Parker Jazz Festival

Read "Christian Scott at Charlie Parker Jazz Festival" reviewed by Ernest Barteldes

Charlie Parker Jazz FestivalNew York, NYAugust 25, 2013During a warm afternoon at Tompkins Square Park, trumpeter Christian Scott brought his sextet for a short set that featured many of the band leader's influences and sonic textures, starting with a very contemporary up-tempo groove that showcased his dexterity--he often distanced himself from the microphone for effect, allowing his instrument's sound to be picked up by the microphones intended for the drums or the alto sax, which resulted in ...


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