Home » Jazz Articles » Byron Landham
Jazz Articles about Byron Landham
Tim Warfield: One For Shirley
by C. Andrew Hovan
Jimmy Smith and Larry Young have continually set the benchmark for creative endeavors involving jazz and the Hammond B-3 organ, Smith being acknowledged for bringing the technical virtuosity of be-bop to the instrument and Young for expanding the vernacular based on the forward-thinking implications of John Coltrane. Somewhere in between these two, a colorful range of styles proliferated throughout the '50s and '60s, from the cocktail jazz of Milt Buckner to the soulful grooves of “Big" John Patton. But it ...
read moreJohn Swana: Philly Gumbo Vol.2
by C. Andrew Hovan
It seems like a lot of up and coming trumpeters these days go for the bop stylings of Freddie Hubbard and Woody Shaw as their main influence. Far fewer look to players like Art Farmer or Kenny Wheeler for inspiration. That's what has made watching the development of Philadelphia trumpet man John Swana so fascinating over the years. While he has the chops needed to communicate in the high-octane language of be-bop, his tone and use of space suggest that ...
read moreJohn Swana: Philly Gumbo
by C. Andrew Hovan
It seems like a case of the big fish swimming in a small pond. So while Philadelphia native John Swana currently chooses to make his home in the city of Brotherly Love, it's clearly evident that this world-class musician could succeed easily in the Big Apple, the undisputed center of jazz activity in America. Taking up the trumpet at the age of 11, Swana was hooked on jazz after one spin of a Dizzy Gillespie record. Lucky enough to get ...
read moreMaci Miller: Nine
by Richard J Salvucci
jny:Philadelphia-based singer Maci Miller gives her audience a variety of looks, all of them good. On first hearing, Blossom Dearie, but then, Blossom Dearie was Blossom Dearie. No one ever sounded quite like her. Then again, there is some mid 1960s Nancy Wilson, hushed, clipped, all business. On reflecting that Dearie and Wilson an odd combination do make, one just listens and stops thinking influences, other than “eclectic." Or maybe Billie Holiday, if Miller is in the mood. A Philly ...
read moreEd Cherry: Are We There Yet?
by Andrew Scott
In debates between Kenneth Miller, Richard Dawkins, and the late Stephen Jay Gould, the “stay in your lane" boundaries that separate science from theology/philosophy become particularly porous, revealing the frequency with which individuals intellectually “drift" in order to hold onto seemingly contradictory opinions of truth (empirical, scientific) and belief. Jazz, no less an ideology, has also become “defined" through a series of maxims ("must swing," “must contain the blues," “must prefigure improvisation") that while articulating general truisms perhaps, ...
read moreEd Cherry: Are We There Yet?
by Pierre Giroux
February is appropriately recognized in the United States as Black History Month. The Cellar Music Group has been in the forefront of acknowledging the importance of Black musicians to jazz in America. With the release of Are We There Yet? by guitarist Ed Cherry, Cellar Music Group presents another release that is led by a Black artist. Cherry who has been a stalwart in the jny: New York jazz scene since 1978, has pulled together a tight band including vibraphonist ...
read morePat Bianchi: Something to Say: The Music of Stevie Wonder
by Victor L. Schermer
This album is a tribute to Stevie Wonder, who beyond his popularity and fame has always been a an exceptional musician. It features four superb musicians, an organ trio consisting of Pat Bianchi on Hammond B-3 organ, Paul Bollenback on guitar, and Byron Landham on drums, with Wayne Escoffery as guest tenor saxophonist that honors Wonder's work with artistry and attention to his unique style. It synthesizes the jazz swing idiom with R&B/ soul music, both of which inspired Wonder ...
read more
Giveaway
Days remaining: 4
