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Jazz Articles about Byron Landham
Mike Boone Friends and Family: Confirmation
by Richard J Salvucci
Sometimes, a random listener intervenes to comment on music a reviewer is working on. “Who are those guys?" with a tone that means, “I should know this right?" Well, if you happen to be from Philadelphia, shame on you. This was some kind of party, maybe a party in a church, or as bassist Mike Boone comments, “a church in a party." Especially if you walk in on “Hymn," the idea that someone happened on a hip Sunday service is ...
Continue ReadingJorge Cariglino: After the Storm
by Fran Kursztejn
Spanish-Argentinian guitarist Jorge Cariglino has maintained an important influence on the jazz game in Madrid for most of his life. He teaches in there, plays with a variety of local and international masters and bolsters an under-reported community to new heights of experimentation and collaboration, despite an unusually slim catalogue of recorded works. After the Storm is more than just a welcome showcase of a talented musician reintroducing his craft to the rest of the world. It is also an ...
Continue ReadingBrian Ho: Bridges
by Pierre Giroux
Bridges is a showcase of the Hammond B3 organ's soulful capabilities as performed by the San Francisco Bay area's stellar organist Brian Ho. Accompanied by the rhythm section of the deft guitarist Paul Bollenback and the dynamic drummer Byron Landham, both of whom were members of the late Joey DeFrancesco's trio for over twenty years, this album is a journey through a thoughtfully curated selection of songs blending Ho's original numbers with jazz standards and popular tunes. The ...
Continue ReadingTim Warfield: One For Shirley
by C. Andrew Hovan
Jimmy Smith and Larry Young have continually set the benchmark for creative endeavors involving jazz and the Hammond B-3 organ, Smith being acknowledged for bringing the technical virtuosity of be-bop to the instrument and Young for expanding the vernacular based on the forward-thinking implications of John Coltrane. Somewhere in between these two, a colorful range of styles proliferated throughout the '50s and '60s, from the cocktail jazz of Milt Buckner to the soulful grooves of “Big" John Patton. But it ...
Continue ReadingJohn Swana: Philly Gumbo Vol.2
by C. Andrew Hovan
It seems like a lot of up and coming trumpeters these days go for the bop stylings of Freddie Hubbard and Woody Shaw as their main influence. Far fewer look to players like Art Farmer or Kenny Wheeler for inspiration. That's what has made watching the development of Philadelphia trumpet man John Swana so fascinating over the years. While he has the chops needed to communicate in the high-octane language of be-bop, his tone and use of space suggest that ...
Continue ReadingJohn Swana: Philly Gumbo
by C. Andrew Hovan
It seems like a case of the big fish swimming in a small pond. So while Philadelphia native John Swana currently chooses to make his home in the city of Brotherly Love, it's clearly evident that this world-class musician could succeed easily in the Big Apple, the undisputed center of jazz activity in America. Taking up the trumpet at the age of 11, Swana was hooked on jazz after one spin of a Dizzy Gillespie record. Lucky enough to get ...
Continue ReadingMaci Miller: Nine
by Richard J Salvucci
Philadelphia-based singer Maci Miller gives her audience a variety of looks, all of them good. On first hearing, Blossom Dearie, but then, Blossom Dearie was Blossom Dearie. No one ever sounded quite like her. Then again, there is some mid 1960s Nancy Wilson, hushed, clipped, all business. On reflecting that Dearie and Wilson an odd combination do make, one just listens and stops thinking influences, other than “eclectic." Or maybe Billie Holiday, if Miller is in the mood. A Philly ...
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