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Thomas Marriott: Romance Language

Read "Romance Language" reviewed by Paul Rauch

Trumpeter Thomas Marriott has established his jazz credentials over the years through a collection of beautifully inspired and well received albums on the Origin Records label. His formidable chops, extensive vocabulary, respect for tradition and penchant for musical adventurism has put him into the conversation concerning the top practitioners of his instrument in modern times. Marriott has the rare ability to look deeply into the matter at hand, whether it be through interpretation of classic repertoire, or performing his deeply ...

ALBUM REVIEWS

Thomas Marriott: Romance Language

Read "Romance Language" reviewed by Dan McClenaghan

Trumpeter Thomas Marriott moved back to Seattle after the requisite New York stint, where he worked with Maynard Ferguson's Big Bop Nouveau band, the Chico O'Farrill Orchestra, and vibraphonist Joe Locke. Back on west coast home ground, he connected with the Seattle-based Origin Records, where he released ten top-notch albums as a leader, including Individuation (2005), Crazy: The Music Of Willie Nelson (2008)Constraints and Liberations (2010), and East West Trumpet Summit (2010), a teaming with fellow trumpeter Ray Vega.

INTERVIEWS

Thomas Marriott: Balance in Life and Music

Read "Thomas Marriott: Balance in Life and Music" reviewed by Paul Rauch

If one should by chance be curious of what is happening with jazz in the city of Seattle, and the Pacific Northwest, one would do well to check out what trumpeter Thomas Marriott is up to. Thomas has established himself as one the most exciting artists to emerge on the national jazz scene in the past decade, in part by releasing eleven albums as a leader on the Origin Records label, and with his riveting live performances on stage with ...

PROFILES

Tula's Jazz Club: A Seattle Tradition in the Making

Read "Tula's Jazz Club: A Seattle Tradition in the Making" reviewed by Paul Rauch

Life in the Pacific Northwest is hauntingly similar to jazz music itself, from that which is inward, deep in the recesses of our collective soul, to the outward expressionism as a ray of sunlight, an exaltation of joy, harmony expressed in the deep, deep blue of sentient life, and of our enlightened sky. High notes expressed in tall mountain peaks, deep tones expressed by deep, dark waters, all while Tahoma sits like Buddha, the near autumn clouds acting as a ...

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Ray Vega & Thomas Marriott: Return of the East-West Trumpet Summit

Read "Return of the East-West Trumpet Summit" reviewed by Dan McClenaghan

Seattle-based trumpeter Thomas Marriott plays well with electricity. Specifically, with the Hammond B3 organ. The most memorable of his now nine CDs on Origin Records feature either the Hammond B3 or some serious Moog synthesier/Fender Rhodes work: Crazy: The Music of Willie Nelson (2007 ), with Ryan Burns on electric keys; Human Spirit (2009), featuring Gary Versace on B3; and now Return of the East-West Summit, with the versatile George Colligan sitting in on the Hammond B3, and Marriott's mentor, ...

ALBUM REVIEWS

Thomas Marriott: Urban Folklore

Read "Urban Folklore" reviewed by Mark Corroto

Nothing has hit quite as hard as recent music from the trio of pianist Orrin Evans, bassist Eric Revis and Drummer Donald Edwards. The three musicians seek out (or probably are sought by) collaborators of equal weight and energy. It is not surprising that this recording of nine compositions, led by trumpeter and Seattle native Thomas Marriott, is a knockout from the opening number. Urban Folklore is Marriott's ninth as leader, and follows Dialogue (Origin Records, 2012) a ...

ALBUM REVIEWS

Thomas Marriott: Constraints & Liberations

Read "Constraints & Liberations" reviewed by Greg Simmons

Listening to Thomas Marriott's Constraints & Liberations, two things are abundantly clear: Marriott spent some serious time studying Miles Davis' second great quintet; and, his own voice on trumpet is developed well enough to make it sound like a strong, easily recognizable influence, but not plagiarism. Naturally, favorable comparison to the one of the greatest standing outfits in the history of jazz is intended as a compliment. The record has a moderate, ocean wave-like pace, but with ...


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