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Thomas Marriott: Trumpet Ship
In a day and age when social and personal narratives pervade the jazz recording medium, it is a welcoming feeling to experience a recording of superb jazz musicians playing music in the moment the way it's supposed to be played—for the people. For his spring 2020 quartet release Trumpet Ship (Origin, 2020), Seattle-based trumpeter Thomas Marriott has summoned a powerhouse quartet that hits hard from the outset and never lets up. He has convened a band that shares ...
read moreThomas Marriott: Trumpet Ship
Spontaneity rules. Seattle-based trumpeter Thomas Marriott had a day off from touring with his quartet, so he decided to go into the studio and record an album: Trumpet Ship. His twelfth outing for Origin Records—all of them reaching for the stars, all of them getting there—this quartet album lines up after his stop-you-in-your-tracks gorgeous Romance Language (Origin Records, 2018). A tough act to follow. Marriott and his band follow it well, with a sound which is freer, but every bit ...
read moreThomas Marriott: Romance Language
Trumpeter Thomas Marriott has established his jazz credentials over the years through a collection of beautifully inspired and well received albums on the Origin Records label. His formidable chops, extensive vocabulary, respect for tradition and penchant for musical adventurism has put him into the conversation concerning the top practitioners of his instrument in modern times. Marriott has the rare ability to look deeply into the matter at hand, whether it be through interpretation of classic repertoire, or performing his deeply ...
read moreThomas Marriott: Romance Language
Trumpeter Thomas Marriott moved back to Seattle after the requisite New York stint, where he worked with Maynard Ferguson's Big Bop Nouveau band, the Chico O'Farrill Orchestra, and vibraphonist Joe Locke. Back on west coast home ground, he connected with the Seattle-based Origin Records, where he released ten top-notch albums as a leader, including Individuation (2005), Crazy: The Music Of Willie Nelson (2008)Constraints and Liberations (2010), and East West Trumpet Summit (2010), a teaming with fellow trumpeter Ray Vega.
read moreThomas Marriott: Balance in Life and Music
If one should by chance be curious of what is happening with jazz in the city of Seattle, and the Pacific Northwest, one would do well to check out what trumpeter Thomas Marriott is up to. Thomas has established himself as one the most exciting artists to emerge on the national jazz scene in the past decade, in part by releasing eleven albums as a leader on the Origin Records label, and with his riveting live performances on stage with ...
read moreTula's Jazz Club: A Seattle Tradition in the Making
Life in the Pacific Northwest is hauntingly similar to jazz music itself, from that which is inward, deep in the recesses of our collective soul, to the outward expressionism as a ray of sunlight, an exaltation of joy, harmony expressed in the deep, deep blue of sentient life, and of our enlightened sky. High notes expressed in tall mountain peaks, deep tones expressed by deep, dark waters, all while Tahoma sits like Buddha, the near autumn clouds acting as a ...
read moreRay Vega & Thomas Marriott: Return of the East-West Trumpet Summit
Seattle-based trumpeter Thomas Marriott plays well with electricity. Specifically, with the Hammond B3 organ. The most memorable of his now nine CDs on Origin Records feature either the Hammond B3 or some serious Moog synthesier/Fender Rhodes work: Crazy: The Music of Willie Nelson (2007 ), with Ryan Burns on electric keys; Human Spirit (2009), featuring Gary Versace on B3; and now Return of the East-West Summit, with the versatile George Colligan sitting in on the Hammond B3, and Marriott's mentor, ...
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