Articles

Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

PROFILE

20 Seattle Jazz Musicians You Should Know: Brittany Anjou

Read "20 Seattle Jazz Musicians You Should Know: Brittany Anjou" reviewed by Paul Rauch

The city of jny: Seattle has a jazz history that dates back to the very beginnings of the form. It was home to the first integrated club scene in America on Jackson St in the 1920's and '30s. It saw a young Ray Charles arrive as a teenager to escape the nightmare of Jim Crow in the south. It has produced such historical jazz icons as Quincy Jones and Ernestine Anderson. In many instances it has acted as a temporary ...

INTERVIEW

Brittany Anjou: Visionary Soul

Read "Brittany Anjou: Visionary Soul" reviewed by Paul Rauch

I began a series of interviews with jny: Seattle-based musicians in the summer of 2016, with half being dedicated to female instrumentalists. After my last interview with bassist Chuck Deardorf, I was given a new piano trio release on the Seattle based Origin Records label by New York based, Seattle born and bred musician Brittany Anjou. Named Enamigo Reciprokataj, meaning reciprocal love in the international language Esperanto, the album is her unique take on the traditional jazz piano trio. While ...

RADIO

The Women Who Wrote With Harold Arlen

Read "The Women Who Wrote With Harold Arlen" reviewed by Mary Foster Conklin

Halfway through February Fundraising, this broadcast included new releases from pianist Brittany Anjou, saxophonist Jessica Jones, vocalists Kristen Lee Sergeant and Juno nominee Diana Panton, drummer Allison Miller's Boom Tic Boom plus a special release from duo Jeanne Lee & Ran Blake, with birthday shout outs to Blanche Calloway, Sergio Mendes and Nicole Mitchell, among others. In the third hour, a special birthday homage to Harold Arlen featuring the women writers who collaborated with him. Playlist Marsha Heydt ...

ALBUM REVIEW

Brittany Anjou: Enamiĝo Reciprokataj

Read "Enamiĝo Reciprokataj" reviewed by Dan Bilawsky

There's a fascinating disjunction shaping the work of pianist Brittany Anjou. In one bend of being, her endeavors reflect extreme faith in the concept of catholicity. As a student of Esperanto--the “universal language" devised by Dr. Ludwig Lazarus Zamenhof in the late 19th century--and a musician warmly embracing an ecumenical approach, open lines and the ability to connect clearly play as prime factors in her art. But in an opposing arc there comes an air of mystery, a taste of ...


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