The debut album of drummer David Andrew Moore, a collaborator of world music band Slavic Soul Party, clarinetist Andy Statman and drummer Ches Smith, attempts to match modern jazz with elements of chamber music and African and European folk traditions. Moore chose a unique instrumentation for this recordingsoprano sax, viola, bass, keyboards and himself on drums and percussionin order to emphasize the delicate atmosphere of his compositions.
The four compositions in Personal Mythologies feature his quintet in a highly patient and respectful interplay, all based on the solid pulse of Moore, solidified by bassist player John Tate and the busy electric keyboards of Sean McCluskey. The sweet sax of Michael Eaton and the articulate viola of Sofia Zaitseva color the lyrical melodies in expressive shades. The first two pieces "Folk Dance for SM)" and "Inanna In The Underworld" suggest gentle European folk overtones. The playful third one, "Kirtimukha," after the name of a mythical monster of greed in Indian mythology, leaves more room for personal interpretations and improvisations on the theme. The most appealing piece is the last one, "Lament 1," where Zaitseva's melancholic viola finally takes the lead and and charges the warm theme with emotional power.
An interesting debut.
Track Listing: Folk Dance (for SM); Inanna In The Underworld; Kirtimukha; Lament 1.
Personnel: David Andrew Moore: drums, percussion; Sean McCluskey: keyboards;
Michael Eaton: soprano saxophone; John Tate: bass; Sofia Zaitseva:
I love jazz because it's sophisticated, international, atmospheric yet free, cool and warm.
I was first exposed to jazz through the sultry voice and flawless swing of my mother.
I met Mark Murphy, David Linx, Kurt Elling, and Youn Sun Nah.
The best show I ever attended was Youn Sun Nah in Paris.
The first jazz record I bought was Native Dancer by Wayne Shorter and Milton Nascimento
My advice to new listeners: open your mind and your ears, forget about structure, feel the textures.
Go see live music and keep buying CDs!