Dizzy Gillespie: Odyssey 1945-1952

Jim Santella By

Sign in to view read count
Savoy’s 3-CD collection covers a lot of territory. The personnel listing is a who’s who of bebop pioneers. Dizzy Gillespie would play it fierce and brazen one moment, then muted and sweet the next. What you got was the real deal. Trading phrases with Slam Stewart, Charlie Parker, Dexter Gordon, James Moody or Slim Gaillard, the trumpeter would move things right along. He accomplished much and brought along many rising stars. The years 1945 to 1952 were not without controversy. It was then that bebop separated jazz fans and jazz artists into two camps: modern and traditional. Looking back, we realize that the jazz umbrella was simply stretched: not divided, as it was then argued intensely. The earlier, traditional and swing years saw innovation; but no one envisioned “poppity pop goes the motorcycle” and “oop-bop-sh’bam, a-kloog-a-mop” or “salt peanuts, salt peanuts.” Through it all, Gillespie espoused a natural style, where nonsense syllables and improvised trumpet artistry combined to put a different light on what makes jazz. His big band of 1946 included John Lewis, Milt Jackson, Sonny Stitt, Kenny Dorham, Ray Brown and Kenny Clarke. Blazing-fast escapades, such as that which formed “Things to Come,” were allowable in Gillespie’s organization. Other big band leaders would not permit the extreme antics; and Gillespie could certainly tear it up. At times, it seemed as if he were putting us on. Serious strings and the Johnny Richards Orchestra opens “Swing Low, Sweet Chariot” before Gillespie and his bebop partners take charge in their own sweet way. The same mixture of free-flying bop and orchestral majesty bites into “Lullaby of the Leaves” and “I Found a Million Dollar Baby.” Many of the selections on disc two feature a solemn Gillespie horn interpreting ballads with the graceful Richards orchestra. They’re uneven, however, and do not place the trumpeter in his best light. Things work much better at a driving tempo when Gillespie employs vivid reminders of the punch that came along with bebop. Not coincidentally, the clave pattern fit perfectly with this new style. As the years passed, Gillespie was to demonstrate his love of the “Latin tinge” repeatedly. Odyssey features the rather young voice of Sarah Vaughan, singing “Lover Man” in 1945 with Gillespie’s quintet. Albinia Jones and Alice Roberts sing the blues with passion. Joe Carroll imitates the vocal style of Louis Armstrong on “Pops’ Confessin’,” and moves through various moods with other selections to suite the occasion. John Coltrane, unnoticed, sits in for two 1951 selections. The best track of the collection, “The Champ,” with Milt Jackson, J.J. Johnson, and Budd Johnson in some anxious bebop moments, combines parts one and two of the piece, which were originally issued as a 2-sided single. The collection includes a 30-page, comprehensive booklet with insightful liner notes by Dan Morgenstern.

Track Listing: 64 tracks including: Salt Peanuts Shaw 'Nuff Hot House Dizzy's Boogie He Beeped When He Should Have Bopped Things to Come For Hecklers Only Boppin the Blues Interlude in C Bopsie's Blues Caravan Star Dust They Cant Take That Away from Me

Personnel: Dizzy Gillespie Dexter Gordon Charlie Parker Sarah Vaughan Steve Jordan Oscar Pettiford Kenny Clarke Milt Jackson Sonny Stitt James Moody Hank Jones John Coltrane J.J. Johnson Art Blakey and many others

Title: Odyssey 1945-1952 | Year Released: 2002 | Record Label: Savoy Jazz


comments powered by Disqus

More Articles

Read Estonian Suite: Live In Tallinn CD/LP/Track Review Estonian Suite: Live In Tallinn
by Bruce Lindsay
Published: November 18, 2017
Read The Princess CD/LP/Track Review The Princess
by Mark Corroto
Published: November 18, 2017
Read Queen City Blues CD/LP/Track Review Queen City Blues
by Mike Jurkovic
Published: November 18, 2017
Read Latin Lover CD/LP/Track Review Latin Lover
by Rob Rosenblum
Published: November 18, 2017
Read Reclamation CD/LP/Track Review Reclamation
by Glenn Astarita
Published: November 18, 2017
Read Provenance CD/LP/Track Review Provenance
by Karl Ackermann
Published: November 17, 2017
Read "Ugly Beauty" CD/LP/Track Review Ugly Beauty
by Nick Davies
Published: July 20, 2017
Read "The Sky Remains" CD/LP/Track Review The Sky Remains
by Dan Bilawsky
Published: September 4, 2017
Read "Rediscovered Ellington" CD/LP/Track Review Rediscovered Ellington
by Dan McClenaghan
Published: August 29, 2017
Read "Live with a Boom" CD/LP/Track Review Live with a Boom
by Chris M. Slawecki
Published: March 19, 2017
Read "Moon Trio: Earth-Time" CD/LP/Track Review Moon Trio: Earth-Time
by Marithe Van der Aa
Published: February 9, 2017
Read "OUTgoing" CD/LP/Track Review OUTgoing
by Budd Kopman
Published: January 31, 2017

Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.

Please support out sponsor