If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.
You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...
In this lively session of original compositions, guitarist Francisco Pais leads his quintet through hot impressions that entice and excite. Not afraid of color? They're not afraid of anything. They love originality and show it with their unbridled enthusiasm. The sound is contemporary, and yet the quintet remains firm in its portrayal of jazz tradition.
Based in New York, just under thirty and a cum laude graduate of Boston's Berklee College of Music, Pais has energy, ambition and desire. It's paying off on schedule. He proves through his music that the creative spirit can release thousands of impressions at once. His guitar soars in passionate displays that weave strong ties with his bandmates. Their cohesive union makes for a strong foundation, which in turn releases a creative tide.
Transfiguration blends the timbres of the Rhodes with guitar and soprano saxophone for a light swirl of activity. Drummer Ferenc Nemeth ensures that the session's colors never fade, maintaining a consistent scramble alongside. Pais and saxophonist Chris Cheek like to work in unison to begin a piece, and they work in parallel to create virtual firestorms. They return to the unison for a calmer period from time to time, but never stray too far from their exotic mood.
Desert of Colors opens with guitar and tenor octaves alongside cooler piano chords. Impressionism takes over as the quintet follows Pais' lead through a vast ocean of solitude where musical thoughts come unadorned and free of any emotional burden. There's release upon release. Like rolling sand dunes, the quintet's format rolls evenly while the music builds and wanes. In the process Pais establishes a magical ballad countenance that enchants.
The recording closes with "Charmed, a somber piece that features pianist Leo Genovese in a lovely dream sequence, bracketed by a warm tenor/guitar fury on both ends. This fresh look at jazz's modern mainstream comes highly recommended.
Track Listing: Water From the Moon;
Melody for Damien;
Lift your Head From the Sand and Face Reality;
Desert Of Colors;
Personnel: Francisco Pais: guitar; Chris Cheek: saxophones; Ferenc Nemeth: drums; Leo Genovese:piano,
Fender Rhodes; Massimo Biolcati: bass.
I love jazz because it is the most diverse music genre.
I was first exposed to jazz a long time ago.
The best show I ever attended was Henry Threadgill's very very Circus at SJU jazzpodium in Utrecht.
The first jazz record I bought was Coleman Hawkins Big Band live at The Savoy Ballroom 1940.
My advice to new listeners is to attend as many concerts you can even though you may not know the musicians who are playing.
We sent a confirmation message to . Look for it, then click the link to activate your account. If you don’t see the email in your inbox, check your spam, bulk or promotions folder.
Thanks for joining the All About Jazz community!