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106
Interview

Interview: Lennie Niehaus (Part 2)

Interview: Lennie Niehaus (Part 2)

Source: JazzWax by Marc Myers

Growing up in Los Angeles in the mid-1940s, alto saxophonist Lennie Niehaus found himself rubbing elbows with other hungry young talented jazz musicians. In college in Los Angeles, Lennie studied composition with the West Coast's brightest and most advanced classical teachers and theorists. Everything was falling into place. When Stan Kenton called in late 1951 and asked him to audition, Lennie couldn't believe his good fortune. He had worked hard practicing, studying diligently and arranging in anticipation of just such ...

118
Interview

Interview: Lennie Niehaus (Part 1)

Interview: Lennie Niehaus (Part 1)

Source: JazzWax by Marc Myers

Lennie Niehaus is one of the giants of the West Coast linear ft=0,top=0' ); return false"> jazz sound. Along with Bill Holman, Shorty Rogers, Gerry Mulligan and Pete Rugolo, Lennie arranged prolifically for West Coast small groups and big bands in the 1950s, introducing a new dynamic, swinging approach. A highly trained classical musician, Lennie by 1954 was fast becoming known for his orchestral punch and harmonic reed writing. Rather than arrange for vocalists with the advent of the 12-inch ...

243
Interview

Fernando Huergo, a Latin Jazz/Chacarera Bass Master

Fernando Huergo, a Latin Jazz/Chacarera Bass Master

Source: Michael Ricci

By Myron Black Fernando Huergo is an acclaimed pioneer in the Latin jazz realm. He is often on the bandstand with Marta Gomez, Guillermo Klein and his own band, Jazz Argentino. Fernando was born in northern Argentina, and moved to Boston in the early 90's, where he's lived since then, although he often does gigs in the New york area. What makes this bass player really interesting is the new wave of grooves he has introduced in the scene: An ...

98
Interview

Free Jazz Reedman Frank Gratkowski Interviewed at AAJ

Free Jazz Reedman Frank Gratkowski Interviewed at AAJ

Source: All About Jazz

Virtuoso German reed specialist Frank Gratkowski enjoys a particularly fertile range of collaborations, settings and directional thrusts. He was back in New York in October, 2009 with a trio that has released three albums during the last six years: Kwast (Konnex, 2004), Unearth (Nuscope, 2005) and Palaë (Leo, 2006). Appearing at Roulette, Gratkowski was joined by pianist Achim Kaufmann and bassist Wilbert De Joode, both of whom hail from the Netherlands. The gig is billed as a session of “improvised ...

112
Interview

Rising Star Saxophonist Ricky Sweum Interviewed at AAJ

Rising Star Saxophonist Ricky Sweum Interviewed at AAJ

Source: All About Jazz

The fog has lifted off of the coast of Seattle with the rise of Origin Records. As the fisherman of jazz today, they've cast their nets and pulled in a catch of fresh, raw and bold talent. Their latest catch: saxophonist Ricky Sweum.

Pulling Your Own Strings, which came out in mid-August 2009, has received some of the highest accolades from today's best musicians including Dave Liebman who quotes Ricky as being a “burning tenor player with technique and ideas ...

194
Interview

Innovative British Group Portico Quartet Interviewed at AAJ

Innovative British Group Portico Quartet Interviewed at AAJ

Source: All About Jazz

The history of Portico Quartet is brief, but it's also eventful. Since forming in 2005, this young British band have seen their first album, Knee Deep In The North Sea (Babel, 2007), become a Mercury Music Award Album of the Year, they've gathered rave reviews for their second album, Isla (Real World, 2009), and they've introduced a brand new acoustic instrument into the jazz repertoire. Although much of their music is recognizably “jazz," their use of the Hang creates a ...

137
Interview

Guitarist Charlie Hunter Interviewed at AAJ

Guitarist Charlie Hunter Interviewed at AAJ

Source: All About Jazz

Jazz guitarist Charlie Hunter is not a musician who's comfortable resting on his laurels. With nearly twenty albums under his belt and no sign of stopping in sight, Hunter continues to wow audiences with the wizardry of his seven-string guitar technique, by which he lays down bass grooves and simultaneously wings guitar solos along the frets with flawless finesse. This has earned him a reputation as an intrepid musician and an incredible showman who draws packed crowds into jazz clubs ...

147
Interview

Johnny Winter: The Blues' Last Outlaw

Johnny Winter: The Blues' Last Outlaw

Source: JamBase

By: Jarrod Dicker

When Old Man Winter comes to town He's got a special way of dropping in And spreading cheer around You know [the blues] is around the bend And he won't let you down When Old Man Winter comes to town

-Old Man Winter (Revisited) by The Moffatts

Johnny Winter It's been a cold 40 years of ...


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