Get ready for a musical journey that will leave you breathless and exhilarated!
—All About Jazz
A curious thing happens to a band as its sound matures. As the voices of its players continue to fuse ever more seamlessly, their individual styles also come into focus with increasing clarity. In its most literal reading, this is the key idea behind Mosaismic, the title of the third full-length record from Swiss contemporary / groove / jazz quintet Ikarus. The word itself was created from the combination of the words: “mosaic” and “seismic”. Mosaic, of course, implies a series of independent elements, which form a pattern or a picture. Seismic, on the other hand, denotes the energy expressed in the form of vibration, which is released by the movement, collision or friction of landmasses. When every musicians ideas are expressed clearly, and the ear zooms away from the individual pieces, something bigger and more beautiful emerges. At times our opinions clash like tectonic plates and this produces something of a productive earthquake. The energy released then is also registered on the recordings, which definitely reverberates in the listener. –Ramón Oliveras
Mosaismic is a record of beautiful contrasts. It’s minimal and austere formally, yet rhapsodic in affect. It invokes organic forms and then juxtaposes them with percussive renditions of angular spaces as elicited by a modern, urban, architectural sprawl. It’s quiet and spacious, at times eruptive and dense. From a compositional point of view the songs here have a tendency towards straightforward, linear melodies – written against each other. As they evolve, they perpetually produce new harmonic and rhythmic relationships. The effect is an ever-shifting sound mosaic, a sonic mobile of sorts.
I wrote this material during my yearlong stay in Berlin. I listened to a lot of electronic music at this time and I also had the opportunity to experience it in gorgeous industrial spaces such as the Kraftwerk or Berghain. You can hear allusions to these experiences on Meridian or the new version of Sub Zero. I gave the music a finishing touch in São Paulo. The playful Brazilian architecture of Oscar Niemeyer and Lina Bo Bardi, and the constant exposure to all these local grooves definitely had an influence on some pieces, as you can hear on Mondrian, Oumuamua or the new version of Ligulin. –Ramón Oliveras
Mosaismic was recorded at the Fattoria Musica studio located in Osnabrück, Germany, in three very long days, and was co-produced by Nik Bärtsch. The band arrived at the studio right after a series of concerts, hence the presence and the chemistry captured on the recordings. Those who like to soak up their music on headphones might also discover some quirky details buried in the mix: the crackling of a fireplace, the rattling of a chain placed on the strings of the piano, the use of e-bow etc.
With Ikarus, the studio recordings are more of an image of the current state of the project. If you see us playing live in a year from now, the same pieces will sound very different from what’s on the record. The idea of an ongoing evolution and the material being in constant flux became even more important for me in recent years. Sometimes I even wish that this record wouldn’t have so many new songs on it. (laughs) –Ramón Oliveras
“Quality writing, flawless performances and a resplendently detailed production. A significant release indeed."- Sid Smith, Prog Magazine (UK)
“Fantastic, phantasmagoric, and masterful in its nonchalance, Ikarus is a complete musical experience.- 5/5" Bud Kopman, All About Jazz
“The quintet excited with a unique sound and invited to fly." —ORF1 (state radio), concert broadcast (AT)
“Like a daydream. Conceived with greatest elaborateness." —Tagesanzeiger (CH)
“Listening to Ikarus is a special experience. It certainly pays off to discover their work." —Writteninmusic (NL)
“This band is unique. It‘s great fun to listen to their music." —Real & True (JP)
Mosaismic is a record of beautiful contrasts. It’s minimal and austere formally, yet rhapsodic in affect. It invokes organic forms and then juxtaposes them with percussive renditions of angular spaces as elicited by a modern, urban, architectural sprawl. It’s quiet and spacious, at times eruptive and dense. From a compositional point of view the songs here have a tendency towards straightforward, linear melodies – written against each other. As they evolve, they perpetually produce new harmonic and rhythmic relationships. The effect is an ever-shifting sound mosaic, a sonic mobile of sorts.
I wrote this material during my yearlong stay in Berlin. I listened to a lot of electronic music at this time and I also had the opportunity to experience it in gorgeous industrial spaces such as the Kraftwerk or Berghain. You can hear allusions to these experiences on Meridian or the new version of Sub Zero. I gave the music a finishing touch in São Paulo. The playful Brazilian architecture of Oscar Niemeyer and Lina Bo Bardi, and the constant exposure to all these local grooves definitely had an influence on some pieces, as you can hear on Mondrian, Oumuamua or the new version of Ligulin. –Ramón Oliveras
Mosaismic was recorded at the Fattoria Musica studio located in Osnabrück, Germany, in three very long days, and was co-produced by Nik Bärtsch. The band arrived at the studio right after a series of concerts, hence the presence and the chemistry captured on the recordings. Those who like to soak up their music on headphones might also discover some quirky details buried in the mix: the crackling of a fireplace, the rattling of a chain placed on the strings of the piano, the use of e-bow etc.
With Ikarus, the studio recordings are more of an image of the current state of the project. If you see us playing live in a year from now, the same pieces will sound very different from what’s on the record. The idea of an ongoing evolution and the material being in constant flux became even more important for me in recent years. Sometimes I even wish that this record wouldn’t have so many new songs on it. (laughs) –Ramón Oliveras
About Ikarus
Ikarus is a contemporary / groove / jazz quintet consisting of Ramón Oliveras (composition, drums), Anna Hirsch (vocals), Andreas Lareida (vocals), Lucca Fries (piano) and Mo Meyer (upright bass). Their singular sound is based on continuously permutating polyrhythms, fluctuating grooves, organic improvisations and an enchanting blend of male and female vocals. The compositions continue to evolve thanks to the nature of their live shows, and tend to reappear in new versions on their full-length records. They cite influences as far-ranging as Morton Feldman, Meshuggah, The Knife, Craig Taborn, Steve Reich and traditional west African rhythms. To date, Ikarus released a total of three LPs (counting Mosaismic) on Nik Bärtsch’s boutique label Ronin Rhythm Records and also toured Europe and Japan extensively.Praise for Ikarus
“A surprisingly individual signature. A constantly changing mosaic of music."- Jazzthing (DE)“Quality writing, flawless performances and a resplendently detailed production. A significant release indeed."- Sid Smith, Prog Magazine (UK)
“Fantastic, phantasmagoric, and masterful in its nonchalance, Ikarus is a complete musical experience.- 5/5" Bud Kopman, All About Jazz
“The quintet excited with a unique sound and invited to fly." —ORF1 (state radio), concert broadcast (AT)
“Like a daydream. Conceived with greatest elaborateness." —Tagesanzeiger (CH)
“Listening to Ikarus is a special experience. It certainly pays off to discover their work." —Writteninmusic (NL)
“This band is unique. It‘s great fun to listen to their music." —Real & True (JP)
For more information contact All About Jazz.
