Kenton's rave of Bagley led off the track's showcases...
Some musicians love the sounds of percussion. They like to melt them with the melody. They have the ability to bring to life strong rhythmic swing and pour it into others. That's a rhythm section. Takes a bassist. Ours? Don Bagley."
I remember Don being a very bright guy, very friendly with a great sense of humor. He'd often throw in funny expressions from early vaudeville to make a point. He was a solid bassist, which must have been hard in a band like Kenton's. The band was tough to move given its enormous sound. Fortunately, [drummer] Stan Levey was in the rhythm section then and was strong enough with Don to keep everyone going. Don and Stan worked pretty well together.
I had never met anyone like Zoot before. I grew up in Santa Ana, Calif., where things were pretty closed and most kids had a conservative upbringing. Zoot was really a breath of fresh air for me, and that was probably reflected in my approach to the music on Showcase.
JazzWax tracks: Don Bagley's three leadership dates
Other Bagley favorites: Shorty Rogers and His Giants' Modern Sounds (1951), Dexter Gordon and Wardell Gray Live at the Civic Auditorium: The Chase and Steeplechase (1952), Bob Flanagan's Togetherness (1959), Ben Webster's The Warm Moods, (1961), John Gray's The New Wave, (1962), and Vic Lewis' Bossa Nova at Home and Away (1963).
JazzWax clips: Here's Don Bagley playing The Bachelor from Basically Bagley, one of his leadership dates for the Dot label, featuring pianist Jimmy Rowles and drummer Shelly Manne...
Here's Shorty Rogers with Don Bagley playing A Mile Down the Highway (September 1950). Dig the reeds in tight unison and Shelly Manne's drums throughout...
Here's Bobby Troup playing Tenderly in Japan in 1964, with Bagley on bass...
And here's Lee Konitz on Bill Holman's arrangements of Lover Man and In a Lighter Vein (4:23), the latter being composed by Holman as well...
This story appears courtesy of JazzWax by Marc Myers.
Copyright © 2024. All rights reserved.