After returning from a tour in Europe and Brazil, vocalist Beat Kaestli is happy to bring his unique blend of Jazz, R&B, European and Latin styles to Zinc Bar NYC on Monday, April 23rd @ 7:30PM. The show is featuring a stellar band with Ben Stivers - piano, Matt Wigton - bass and Fred Kennedy - drums.
This is Beat Kaestli's only show in New York in spring 2012!!
Monday, 23. April 2012
Zinc Bar, New York 7:30PM
83 W3rd street (between Sullivan/Thompson)
NYC
cover: $10
Transportation: A, B, C, D, E, F, M trains to W 4th
Praise for Beat Kaestli
“FFH offers up jazz versions of songs by European composers, each with a twist and a change of mood. An intriguing concept from a singer with broad appeal." —ALL ABOUT JAZZ
“Nine gorgeously minimalist, dove-soft tracks.Kaestli achieves much the same spellbinding effect as José James on For All We Know" —JAZZ TIME MAGAZINE
“A likably suave jazz singer... a persuasive new album" —NATE CHINEN, THE NEW YORK TIMES
“With his unique voice, flowing between a dark timbre and fragile brilliance, he easily joins the ranks of the modern Jazz Crooners [Harry Connick Jr., Michael Buble, Kurt Elling], but his distinct principle of sparseness sets him apart from the rest. A deeply felt Mood Album." —JAZZTHING, GERMANY
This is Beat Kaestli's only show in New York in spring 2012!!
Monday, 23. April 2012
Zinc Bar, New York 7:30PM
83 W3rd street (between Sullivan/Thompson)
NYC
cover: $10
Transportation: A, B, C, D, E, F, M trains to W 4th
Praise for Beat Kaestli
“FFH offers up jazz versions of songs by European composers, each with a twist and a change of mood. An intriguing concept from a singer with broad appeal." —ALL ABOUT JAZZ
“Nine gorgeously minimalist, dove-soft tracks.Kaestli achieves much the same spellbinding effect as José James on For All We Know" —JAZZ TIME MAGAZINE
“A likably suave jazz singer... a persuasive new album" —NATE CHINEN, THE NEW YORK TIMES
“With his unique voice, flowing between a dark timbre and fragile brilliance, he easily joins the ranks of the modern Jazz Crooners [Harry Connick Jr., Michael Buble, Kurt Elling], but his distinct principle of sparseness sets him apart from the rest. A deeply felt Mood Album." —JAZZTHING, GERMANY
