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A Home That Jazz Can Call Its Own

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For many months, Wynton Marsalis has written in a spiral-bound red notebook. The notes, in a small, neat pencil script, deal with how to create the new $128 million performing arts complex for Jazz at Lincoln Center, of which he is the artistic director.

“A. Celebrate the timeless qualities of jazz," begins the first page. “B. Highlight past glories which need not be altered. C. Reinvigorate songs which carry the identity of this music. D. Establish the importance of high-level improvisation in all styles. E. Feature what we have done and will do. F. Integration of styles, generations and forms. G. Use ensembles of differing sizes. H. Focus on music of New Orleans, 20's and after the 50's."

The notes reflect Mr. Marsalis's cast of mind: he starts with grand theories and gradually translates them into mundane details. Ultimately, that philosophy has shaped the programming for the inaugural season of Jazz at Lincoln Center's three new theaters, which begins on Monday. (PBS will cover the event live.)

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