Guitarist Frode Kjekstad is a Norwegian who makes himself at home in the Big Apple on this splendid album with New York companions Dr. Lonnie Smith, Byron Landham, and special guest Eric Alexander. To me, there are few musical alliances more pleasing than a guitar/organ/drums trio that sounds terrific and swings like a metronome, as this one does. If there's anything that could enrich the partnership, that would certainly include inviting an eloquent and powerful tenor saxophonist such as Alexander to sit in, which Kjekstad does on four numbersStanley Turrentine's bluesy "Sugar and three of his svelte original compositions, "Prospect Park S.W., "Brooklyn Bound and "Over Easy.
Kjekstad has impressive chops and a warm, resonant sound, which Smith's Hammond B-3 complements superbly, while Landham keeps perceptive and tasteful time. Alexander fits in snugly on his cameos, broadening the trio's horizons while adding spice to the basic recipe. As for role models, Kjekstad drops a broad hint with the inclusion of Wes Montgomery's ambling "Road Song, on which he pays homage to Wes's groundbreaking style. Rounding out the admirable program are the standards "The Way You Look Tonight, "Secret Love, "Laura and of course, "Autumn in New York. I was especially charmed by the swaying, Jobim-like treatment of "Secret Love, which embodies typically persuasive solos by Kjekstad and Smith.
There's nothing Scandinavian about this refreshing studio date save for the leader's name. You may not be able to pronounce it, but if you appreciate special talent that's all you need consider. Leave the rest to Kjekstad and Company, whose music speaks emphatically for itself.
Track Listing: The Way You Look Tonight; Sugar; Autumn in New York; Prospect Park S.W.; Secret Love;
Brooklyn Bound; Laura; Road Song; Over Easy. (51:22)
Personnel: Frode Kjekstad, guitar; Dr. Lonnie Smith, Hammond B-3 organ; Eric Alexander (2,4,6,9),
tenor sax; Byron Landham, drums.
I was first exposed to Jazz when a couple of dear friends of mine turned me onto it around 1971. I was already into Progressive music, R n' B, Soul, Motown, Latin Rock and other styles that were a great ladder to Jazz
I was first exposed to Jazz when a couple of dear friends of mine turned me onto it around 1971. I was already into Progressive music, R n' B, Soul, Motown, Latin Rock and other styles that were a great ladder to Jazz.
Being a Musician myself, (Lead Guitar/Bass Guitar), I studied at the Dick Grove School of Music with Dick Grove, Jeff Richman and Lee Ritenour. This was around '84-'85. I started playing the Guitar in November 1967. Playing Guitar came quite naturally to me thank goodness. Though I spent hours upon hours practicing while my school buddies were doing Sports.
It was in the early '70s that I really got into Jazz, Jazz Rock, Jazz Fusion and World Music. Seeing Weather Report, Miles Davis, Wayne Shorter, Larry Carlton, Steely Dan, John McLaughlin and the Mahavishnu Orchestra, RTF, Herbie Hancock and the Headhunters, VSOP, Freddie Hubbard and so many, many more amazing artists opened my eyes to the beauty and eloquent nature of Jazz. I really love the brilliant ensemble playing that is in Jazz!!
When I play and write music, it blends so many style together. Many fans ask me why my playing sounds so jazzy. It's because I understand Blue Notes, the phrasing, the tonality, time signatures and more. I can also play Rock, Folk, Soul, R n' B and other styles too. I seem to gravitate more and more as I get older to a jazzier style. Currently I'm 62 years old. I have released 2 CDs world-wide. Working on my 3rd.
I also teach Guitar/Bass/Music Theory to my students. They range from 6 years old to much, much older. (I was hired by the City of Aurora, CO to teach ages 6-13 specifically). Currently I teach 41 children in 5 classes. Additionally another 7 private students.
My wife, Meesh, and I love Jazz dearly. It was one of the things that we share together!
Most of the people that I know today do not get jazz. I try to explain what to listen for, but many times the music of Jazz is a bit much for them. So be it.
In a nutshell, I live, breath and listen to Music 24/7. No TV except the Food Channel and Weather.
I love John Kelman's articles. They are so insightful and well-constructed!
Thank you all for doing what you do.