Before this release, Magnus Granberg's music had only been issued on Another Timbre, a total of five albums mainly featuring the large ensemble Skogen in which the composer plays piano or clarinet. On the most recent of those albums, 2015's How Deep is the Ocean, How High is the Sky?, a tentet playing baroque instruments included Granberg on prepared piano, his frequent collaborator Anna Lindal on baroque violin, plus the Swiss Diatribes duo of d'incise on objects & electronics and Cyril Bondi on objects & percussion. So, it is not a total surprise that this new releaseissued on vinyl LP and downloadappears on d'incise and Bondi's INSUB label, with the music performed by a quartet of Granberg, Lindal, d'incise and Bondi. Recorded in Stockholm in April 2016, the music consists of two extended tracks, corresponding to the two sides of an LP, totalling fifty minutes.
Apparently, the composition was originally played by Skogen (see the YouTube clip below for evidence). However, this four-player version works well, never sounding as if it lacks anything. As with past Granberg compositions, "Nattans Skogar" references other compositions, in this case Erik Satie nocturnes and Thelonious Monk's "Monk's Moods"; as with past pieces, the influence of such references is subtle and there are no heavy-handed quotations from the sources. Altogether, the piece is a model of economy, with plenty of space allowing the sounds of individual instruments to be heard and savoured. "Nattens Skogar" translates as "Night Wood," which is fitting as Granberg's music succeeds in conjuring up the tranquil ambience of its subject matter in the same way that David Tudor's "Rainforest" conveyed its subject's rather busier mood.
With each new composition, recording and concert appearance, Granberg continues building an impressive body of work that is essential listening.
All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.
Go Ad Free!
To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.
We sent a confirmation message to . Look for it, then click the link to activate your account. If you don’t see the email in your inbox, check your spam, bulk or promotions folder.