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Tommy Johnson

John Thomas Johnson, a first-chair studio musician in Hollywood for 50 years, Johnson played on thousands of recordings -- jingles, commercials, television shows like The Flintstones and feature films. His tuba can be heard on hundreds of movie soundtracks, including The Godfather and Titanic and, most memorably, the John Williams scores for Steven Spielberg's Close Encounters of the Third Kind, the Indiana Jones trilogy and Jaws.

In the back pages of the Los Angeles Times, they ran an obituary for a guy named Tommy Johnson, who died in October at 71 of complications from cancer and kidney failure. Accompanying the obit was a picture of a big, beefy lug grinning in a loud sports jacket. If you looked closely, you could see the man had LIPS!

Johnson performed as tuba soloist with the Los Angeles Philharmonic Orchestra, the Pasadena Symphony, the San Fernando Valley Symphony, the LA Pops Orchestra, the U.S.C. Wind Ensemble, The LA Tuba Quartet, and with the Henry Mancini Orchestra. Johnson can be heard on the recording of The Manhattan Transfer meets Tubby the Tuba CD.

Conductor John Williams called Johnson "one of the great instrumentalists of his generation. Not only was he the voice of the shark in 'Jaws,' and that of the aliens in 'Close Encounters of the Third Kind,' his performance across the full range of the repertoire inspired not only me, but a whole generation of young tubaists."


Johnson recalls Jaws: "I guess the one that sticks out the most in my mind is Jaws, that day I was late to the studio because as you know, I taught public school for many years and mixed that in with studio work this was one of those days it was raining and I was waiting for a substitute teacher to arrive. Because of the rain, the substitute teacher was late so I had to wait longer than I wanted to. By the time I got to the 405 (Freeway) and headed towards Fox (studios), there was a big traffic jam so I was 30 minutes late to the call.

I walked in, John Williams was on the podium, came in through the side door when I should have come in through the back door, I had to squirm my way through through the cello section to get back to the tuba (spot). The whole time he’s watching me with anticipation. Basically they’re just sort of waiting for me to get my tuba out. I very hurriedly got it out, I was really out of breath.

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