Home » Jazz Musicians » Syd Smart
Syd Smart
Syd. Smart, The 1st through 1998 JCMC (excluding the 13th) , began studies in percussion as a child with his father and older brother. Other teachers include: Milford Graves (US), Makanda Ken McIntyre (US), Cecil Taylor (US), Babatunde Olatunji (Nigeria), Steve Barrios (Puerto Rico), Ibrahima Camara (Senegal), Jose Luis Quintana, aka Changuito (Cuba), and Juan de la Oliva (Spain). Syd was a Music Education Major at Central State University in the late 60's and in 1973 recieved a Black Music fellowship to teach and study at Bennington College in Vermont, where he completed his B.A. Degree. He holds a Masters Degree in Education and Elementary Teacher Certification.
Syd founded the Friends of Great Black Music, an organization in support of local artists involved in the musics of the African/American Diaspora. He is also the co-founder of the Annual John Coltrane Memorial Concert Series. Syd has had extensive experience composing for dance, and with Joan-Green Co., founded the Children's Dance Project, which expanded to become the Cambridge Performance Project, a city wide perfoming arts program. Annually, Syd co-conducts "Sound and Movement in Nature," a workshop offered by the Expressive Therapies division of Lesley College.
In 1992, Syd was a resident performing artist at the World Exposition, "Expo '92," in Seville, Spain. While there, on leave from his position with the Cambridge Public Schools, he began curriculum development of an Integrated Thematic Unit of Spain, for third and fourth graders. In 1997, he was a recipient of the prestigious "Dance Belt Award," awarded by the City of Cambridge, MA, for his long-standing support of the arts community. Recently, he joined a team of developers for a soon to be published curriculum that integrates African drums and algebra.
Performance experience includes: Karamu House, Art of Black Dance and Music, Rod Rodgers Dance Co., Boston Art Ensemble, Read more
Show less
Tags
Jimmy Lyons: Live From Studio Rivbea (Jimmy Lyons)

by John Sharpe
Alto saxophonist Jimmy Lyons was underappreciated even at the height of his powers, but to those with ears attuned to the radical innovations of the loft jazz era, he was a galvanizing presence. That his legacy remains under-lit is due in part to his long-standing tenure in Cecil Taylor's incandescent orbit. Lyons was more than a foil; he was Taylor's most empathetic interlocutor, the tether to bebop logic amid Taylor's eruptive torrents. But a fatal cocktail of perfectionism ...
Continue Reading