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Reginald Chapman
Webber/Morris Big Band: Unseparate
by Angelo Leonardi
Le sassofoniste Anna Webber e Angela Morris confermano le innovative concezioni orchestrali dimostrate in Both Are True (Greenleaf Music, 2020), con un disco ancor più avvincente, che s'impone tra i migliori dell'anno. L'organico registra pochissime variazioni (le più significativa sono l'ingresso della pianista Marta Sanchez al posto di Marc Hannaford e le assenze della vibrafonista Patricia Brennan e del trombonista Nick Grinder sostituiti rispettivamente da Yuhan Su e Zekkereya El-magharbel). L'organico è costituito dai migliori strumentisti operanti a New York ...
Continue ReadingThe NYChillharmonic: Mean
by Mike Jurkovic
Having toured across five continents, you have to figure that no matter what musical element dares to share physical space within Brooklyn keyboard/vocalist Sara McDonald's brain-bending flight path, it is going to be grabbed by the scruff of the neck and turned it into something forceful. Something fierce. Something startlingly her own. Leader of the eighteen piece, (sometimes twenty, sometimes more or less), orchestral-punk-prog-jazz-rock the NYChillharmonic, McDonald unveils the utterly invigorating “Mean," a churning, sawing, simmering shard of ...
Continue ReadingWebber / Morris Big Band: Both Are True
by John Sharpe
On Both Are True Canadian composers and reed players Anna Webber and Angela Morris reimagine the language of the big band. They extend the tradition through adventurous arrangements spiced with the unpredictability of improv, by co-opting the nimbleness of a much smaller group, and reveling in non-standard techniques. Webber has already garnered plaudits for the work of her Simple Trio with Matt Mitchell and John Hollenbeck, while Morris' ventures such as the Motel Trio boast a lower profile so far. ...
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