Home » Jazz Musicians » Peter Kronreif
Peter Kronreif
Born and raised in Salzburg, Austria, Peter Kronreif discovered his passion for the drum set already in early childhood - “I went to the kitchen, chose cooking spoons, pots and pans and whatever sounded nice to me and enthusiastically accompanied the mozart sonatas my big brother and my mother were playing on recorder and piano.” He picked the drums at age nine and soon started playing in his father's wind orchestra. In high school Peter got into his first bands playing rock, funk and pop music. “We used to plug our ears and go crazy on Offspring and Greenday songs in the bunker under my dad’s school”. Inspired by his brother Chris' records (who is a jazz saxophonist living in Vienna) and his early teachers Christian Lettner and Franz Trattner, Peter started to get into jazz – transcribing Roy Haynes and Elvin Jones, forming jazz bands with schoolmates and playing weekly jazz sessions at a local bar in Salzburg - his first steps on what proved to be a long road.
After graduating high school Peter went to Graz to study jazz at the University of Arts with Alex Deutsch, but only for one semester. He then transferred to the Bruckner University Linz, where he completed his Bachelor’s Degree of Arts in 2007 with first class-honors, studying with Doug Hammond and later, in the master's program, with Jeff Boudreaux. “I feel very fortunate to have had the opportunity to meet and study with these awesome drummers and great humans; and I would definitely not be where I am today without their inspiration and guidance.”
Between 2005 and 2010 Peter Kronreif spent most of his time in Vienna, Austria, and became a most-wanted sideman in Austria’s jazz-scene. Working with, amongst others, Harry Sokal, Martin Reiter, Matthieu Michel, Alegre Correa, Bastian Stein, Ana Paola DaSilva, Peter O'Mara, Fabian Rucker, Pepe Auer and Phil Nykrin brought him on tour in over 20 nations – and in 2010 he was awarded the Hans-Koller-Prize as “Sideman of the Year 2009“. He too was granted the "Annual Scholarship for Music 2010" by the city of Salzburg as well as a studying grant from the Ministry of Arts & Culture.
Over the years he started visiting New York City for a few months each year – wanting to hear his idols play, to get inspired by the scene and to be able to study with drummers like Greg Hutchinson, Jonathan Blake and John Riley.
Read moreTags
Nick Biello: New America

by Paul Rauch
Upon listening to alto saxophone virtuoso Nick Biello, a quote attributed to Charles Mingus may come to mind: If Charlie Parker was a gunslinger, there'd be a whole lot of dead copycats." Slow down," you might say, Biello is not Bird, not even close--nobody is." But the quote relates to Biello in that he is far from a Parker or Cannonball Adderley copycat, but he sure as heck is a gunslinger. Throughout New America, this becomes a known to the ...
Continue ReadingNick Biello: New America

by Jack Bowers
Alto saxophonist Nick Biello's New America covers a diverse and colorful landscape, one over which his able quintet glides, springs and dances with ease and assurance. Respectfully, they unravel a half-dozen of the leader's elaborate yet accessible compositions and arrangements. Biello, whose upbringing in a music-centered household exposed him to every genre from jazz and classical to rock, r&b, world music and opera, took those credits with him as he studied at New Haven, Connecticut's Hartt School ...
Continue ReadingTracy Yang: OR

by Angelo Leonardi
Il percorso biografico e artistico di Tracy Yang ha molte affinità con quello di Jihye Lee, l'ormai nota arrangiatrice e bandleader coreana che s'è imposta con i significativi album Infinite Connections e Daring Mind. Tracy Yang viene da Taiwan, dove lavorava come radiologa. Come Jihyie Lee ha appreso in un decennio le tecniche dell'orchestrazione partendo da zero, ha studiato al Berklee e in altri college statunitensi e fatto esperienza sul campo a New York. Darcy James ...
Continue ReadingRemy Le Boeuf: Heartland Radio

by Angelo Leonardi
Nel 2022 Remy Le Boeuf s'è trasferito da New York a Denver per dirigere il dipartimento Jazz and Commercial Studies" presso la Lamont School of Music della locale università. La colonna sonora di quel lungo viaggio in autostrada è stata la musica delle radio che alternavano pop, rock, rhythm & blues, country, dance ed altro. Non c'è molto jazz in mezzo al Paese" ha ricordato l'orchestratore e sassofonista ma la musica di quest'album (che riflette le emozioni di quell'itinerario) ...
Continue ReadingTracy Yang: OR

by Jack Kenny
Darcy James Argue and Maria Schneider have produced music in recent years that is setting new parameters. They have broadened the scope of jazz by mining inspiration from unlikely sources: Argue finds inspiration in politics and conspiracy theories; Schneider looked at the data world, both artists revivifying the large jazz orchestra. A new name can be added: Tracy Yang. Yang has her own preoccupations: music, photography and ecology. Yang's story has many intriguing aspects. To abandon a career ...
Continue ReadingRemy Le Boeuf’s Assembly of Shadows: Heartland Radio

by Dan Bilawsky
This ear-grabbing date from Remy Le Boeuf's Assembly of Shadows--the band's third release, following its eponymous debut (in 2019) and Architecture of Storms (SoundSpore Records, 2021)--is a sonic mirror, reflecting the multihyphenate leader's recent travels in both life and sound. Influenced by an odyssey across inland America, sights encountered along the way, and the adventitious, airwaves-dictated soundtrack to the journey, Heartland Radio offers up a striking portrait of a Promethean artist with an unfettered imagination. Opening on ...
Continue ReadingRemy Le Boeuf: Architecture of Storms

by Jack Bowers
It's hard to become bored or complacent when listening to Architecture of Storms, alto saxophonist Remy Le Boeuf's second album as leader of the twenty-member Assembly of Shadows orchestra. Every song is quite different from the others, and every one has its moments of shapeliness and charm. Le Boeuf arranged every number and composed all but Justin Vernon's Minnesota, WI" and the album's nameplate, which he co-wrote with poet Sara Pirkle, he asserts, on a brooding stormy ...
Continue Reading