After 18 years in New York City, alto saxophonist and composer Patrick Cornelius has cultivated a substantial body of work as a composer and bandleader, and performed his original music in some of the world’s top jazz venues. Hailed as “self-assured and “resourceful by The New York Times, “Elegant and “Extraordinary by DownBeat Magazine (in whose annual Critics Poll he has been listed among the “Rising Stars multiple times), and “Bold and Gifted, by All About Jazz, Cornelius’ discography of six albums as a leader (and two as co-leader) features established masters (like Jeff Ballard and Frank Kimbrough) as well as rising stars (including Gerald Clayton, Kendrick Scott, and Miles Okazaki).
As a composer, Cornelius has earned an array of awards and commissions, including four consecutive ASCAP “Young Composer Awards, (now Herb Alpert Award) and Chamber Music America’s “New Jazz Works in 2012, and has been commissioned to compose and arrange original music for ensembles across the globe. Cornelius’ latest album, This Should Be Fun (Posi-Tone 2019) sees him coming to terms with who he is as a musician, and embracing his own aesthetic after a career of being many things at once. He is joined on the album by veteran musicians Ben Allison, John Escreet, Nick Vayenas, and Mark Ferber.
An active music pedagogue, Patrick (who received a Bachelor’s Degree from Berklee College of Music, a Masters Degree from The Manhattan School of Music, and an Artist Diploma from The Juilliard School), has appeared as visiting artist or guest lecturer at many international institutions, including The Royal Academy, the Birmingham Conservatoire, Guildhall, Hull University, Trinity College, and Edinburgh University in the United Kingdom, St