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David Leon

David Leon is a Cuban-American saxophonist, woodwinds player, composer, and improviser living in Brooklyn, New York. His work is guided by a persistent search for vitality through autonomy, contradiction, hyperbole, and humor. His work with the saxophone investigates alternate methods for producing a tone, refinement of these techniques, and development of a distinct vocabulary using these sounds; he melds this timbral approach with melodic and rhythmic phrasing from Cuban folkloric traditions, narrative playing, Free Jazz & avant-garde esthetics, and microtonality to reveal a personal conceit.

David was a 2025 Jerome Artist Resident at Roulette Intermedium and was recognized in the 2026 Rising Star categories for alto and soprano saxophones by Downbeat Magazine’s Critics Poll. In 2024, he was named a Music Composition Fellow by the CINTAS Foundation and was commissioned by Roulette to support the creation of A Divine Echo, a hybrid work of chamber music and nonverbal puppet theatre. In 2023 and 2021, he was recognized by the New Music USA Creator Development Fund and was selected to perform alongside pianist Kris Davis as part of The Jazz Gallery’s Mentoring Series in 2018. In 2017, he was the winner of the ASCAP Herb Alpert Young Jazz Composer’s Award and debuted a new quartet at the Newport Jazz Festival in August of that year.

David currently leads multiple ensembles including the winds-vibraphone-drumset trio Panamerican Orchid Club—with Joel Ross and Daniel Prim, Dual Highway with Brandon Seabrook, Henry Fraser and Kayvon Gordon, Locomotive—a double horns-guitars-percussion sextet co-led with Adam O’Farrill, and Thumbs—a duo with multi-reedist Yuma Uesaka. His 2024 release Bird's Eye was described as “stately and buoyant, intricate and sly” (The Wire) and “unlike anything else” (PostGenre). His debut album Aire de Agua was praised as “a splendid debut from a young saxophone player who, starting with the right foot, promises to make a name for himself in the creative jazz scene” (JazzTrail). He has also released two albums in the Current Obsession series that documents improvisations with current collaborators.

David has contributed to projects led by composer-improvisors Stephan Crump, Cory Smythe, Adam O’Farrill, Michele Rosewoman, Tomas Fujiwara, Nick Dunston, Anthony Coleman, Jason Nazary, Aaron Quinn and others. Performing across a wide range of musics, he has collaborated with folkloric mavericks Manley ‘Piri’ Lopez and Miriam Elhajli, indie artists from 37d03d, Feist and Caroline Rose, composers William Britelle, Vicente Hansen Atria and Alec Goldfarb, Pop artists Sam Smith, Romeo Santos, Rauw Alejandro and Prince Royce, the shape-shifting classical outfit Metropolis Ensemble, puppeteers Emily Batsford (CUMULO), yara asmar (Paperhouse Waltzes) and Official Puppet Business, contemporary artist David Zink Yi, balkan brass band Slavic Soul Party and others. He has performed for The Stone, Roulette Intermedium, Arts for Arts, ::SEEDS::, Barbés, National Sawdust, The Hollywood Bowl, David Geffen Hall at Lincoln Center, Teatro Nacional de Cuba (Havana), Arsht Center (Miami), DACAMERA (Houston), CENART (Mexico City), and notable jazz venues including The Jazz Gallery, Dizzy’s Club Coca-Cola, Birdland, Close Up, Cornelia Street Cafe, The Appel Room (JALC), Jazz at Lincoln Center Shanghai, WDNA Jazz Gallery and The Fish House.

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5

Album Review

Phillip Golub: Partisan Ship

Read "Partisan Ship" reviewed by Mike Jurkovic


In a lot off ways, it is a game of catch-up listening to Brooklyn pianist/improvisor/composer Phillip Golub once he kick-starts the oddly titled Partisan Ship into high gear with “Loyalty Oath," a piece of mad musical fiction that holds attention in place with its octopi rhythms and runaway melodies rushing in all at once.  Partisan Ship is oddly titled because Golub, an unapologetic polymath far out on the progressive spectrum, and his juiced and jazzed up cohorts--clarinetist and ...

6

Album Review

Lex Korten: Canopy

Read "Canopy" reviewed by Jerome Wilson


Lex Koeten's Canopy is a project of different musical styles swirled together in a dizzying stew. It sounds discordant on first listen but ultimately this collection of jumpy prog freakouts, delicate ballads and misty ambience hangs together as parts of the same whole. Korten creates all this out of a simple lineup of keyboards, voice, alto sax, guitar, and drums. The opening “Oasis Walking" feels like the work of an adventurous singer-songwriter like Sarah McLaughlin or Beth Orton ...

1

Album Review

Peter Lenz: Breathe

Read "Breathe" reviewed by Angelo Leonardi


Dopo aver espresso ottime doti di strumentista e leader col quintetto Silent Flow e col quartetto Lithium, il batterista austriaco debutta con successo nel campo dell'orchestrazione, scegliendo di operare con tre differenti organici: una big band di 17 elementi (nei brani “Enclouded" ed “Eleanor"), una big band ampliata a un quartetto d'archi (in “Between Lines" e “Von Inneren Grenzen") ed un ensemble da camera comprendente quartetto d'archi, tre fiati, contrabbasso e batteria (in “Breathe") Volendo dirigere personalmente gli ...

7

Album Review

Adam O'Farrill: For These Streets

Read "For These Streets" reviewed by John Sharpe


With For These Streets, trumpeter and composer Adam O'Farrill presents a sharply contoured, richly imagined statement for mid-sized band--his most complete vision to date. Drawing on an eclectic range of influences, from 1930s-era music, literature and film to the rhythms of contemporary urban life, O'Farrill leads a wily crew of his peers through a program that moves with narrative cohesion. Though not a suite in the formal sense, the album unfolds like one, the pieces linked by emotional throughlines and ...

12

Album Review

Adam O'Farrill: For These Streets

Read "For These Streets" reviewed by Mark Corroto


Trumpeter and composer Adam O'Farrill distills a heady mix of inspirations into For These Streets, the debut release from his new octet. Drawing on music, literature and the ambiance of the 1930s, the album reflects his immersion in the era--Henry Miller's prose, Charlie Chaplin's City Lights, and the sonic worlds of Stravinsky, Ravel, Carlos Chávez and Kurt Weill. None of this background is necessary to appreciate the music, nor is it mentioned in the packaging. But knowing it adds a ...

Album Review

Adam O'Farrill: For These Streets

Read "For These Streets" reviewed by Angelo Leonardi


Con questo nuovo disco Adam O'Farrill scrive una delle pagine più avvincenti del 2025, confermando di non essere solo un magistrale trombettista ma un compositore d'alto spessore anche per medio organico. Nei quattro album col quartetto Stranger Days, ha dimostrato di saper integrare con coerenza le forme del post bop degli anni sessanta con gli sviluppi delle avanguardie successive e in questo ottetto stellare prosegue, ampliando lo spettro armonico e timbrico con l'uso di vibrafono (Patricia Brennan), chitarra ...

4

Album Review

Veronica Swift: Veronica Swift

Read "Veronica Swift" reviewed by Mike Jurkovic


Leave it to the irascibly spirited and octane-charged Veronica Swift to release the party record of the year! From the pure joy scatting of the blast-off opener “I Am What I Am" (from Broadway's grand musical La Cage aux Folles) to the rabble rousing, mad-cap Joan Jett jam with The Ramones finale “Don't Rain On My Parade" (only available on the CD and digital versions), the incredibly talented and free-swinging Swift swings for the fences and wins the home-run derby ...

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Music

Recordings: As Leader | As Sideperson

Partisan Ship

Berthold
2026

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Passerine

Out Of Your Head Records
2026

buy

For These Streets

Out Of Your Head Records
2025

buy

Canopy

Sounderscore
2025

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Mirror Image

Adhyâropa Records
2025

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Leap And A Net Will Appear

From: Panamerican Orchid Club
By David Leon

Panamerican Orchid Club

From: Panamerican Orchid Club
By David Leon

A Night for Counting Stars

From: Bird's Eye
By David Leon

Combustion 1

From: Smoke Gets In Your Eyes
By David Leon

LCC #15 (Maybe I Should Drive)

From: Some (more) Short Songs
By David Leon

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