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John Dikeman
John Dikeman is an American saxophonist currently residing in Amsterdam. Drawing inspiration from a wide range of sources, John’s playing runs the gamut of improvised music and technique. He is currently active as a member of numerous groups including Cactus Truck, a band made up guitarist/bass guitarist Jasper Stadhouders and Onno Govaert; Universal Indians with Norwegian rhythm section Tollef Østvang and Jon Rune Strøm and often featuring Joe McPhee; the trio Dikeman, Parker, Drake with William Parker and Hamid Drake, and numerous other collaborations including projects with Andrew Barker, Dirk Serries, Steve Noble, Luis Vicente, Alexander Hawkins, Roger Turner, Hugo Antunes, Peter Jacquemyn, Peter Ole Jorgensen, Aleksandar škorić. John is one of the newest members of Spinifex, a genre defying ensemble which combines intricate rhythms and advanced compositional techniques. Dikeman also collaborates regularly with producer Jameszoo. John is a tireless performer in the Amsterdam scene which has recently exploded to include a number of new bands that perform compositions with a specific link to various traditions and offer something of a danceable aesthetic, such as the brass band the Zebra Street Band and cumbia project Bacchanalia. Dikeman has performed as a soloist for groups ranging from Godspeed You! Black Emperor and the Metropole Orkest to Mohamed Mounir and the Cairo Symphony Orchestra.
John grew up in Wyoming and started performing professionally at the age of 16. Dikeman left Wyoming in 1999 to study saxophone and composition at the prestigious Interlochen Arts Academy. John later attended Bennington College in Vermont to study with Milford Graves while at the same time studying privately with the late Joe Maneri. After Bennington, John moved to Boston, then New York City and Philadelphia. While on the east coast John performed extensively with many of the top musicians from the USA including Nate Wooley, Mike Pride, Daniel Carter, Tatsuya Nakatani, etc… In 2004 Dikeman moved to Cairo, Egypt where he worked full time as a professional musician and educator, leading numerous ensembles as well as freelancing in a wide range of settings. After Egypt, John moved briefly to Budapest, Hungary, then Paris, France and finally settled in Amsterdam in 2008.
Since moving to Amsterdam, John has been very active in the Dutch improvised music scene as both a performer and curator. John was selected for the 2012 Young VIP tour which featured the trio Cactus Truck plus guests on tour throughout the Netherlands. John was invited to join Stichting Doek as a core artistic member in 2012.
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Spinifex: Maxximus
by Alberto Bazzurro
Undicesimo album in quindici anni per il nonetto olandese Spinifex (di base un sestetto, attivo fin dal 2005), questo Maxximus (dove il quinto s'intitolava Maximus, con una x" in meno) ci fa fare la conoscenza (con colpevole ritardo, dobbiamo ammetterlo) di uno degli ensembles più interessanti, stimolanti e originali, dell'attuale scena europea di emanazione jazzistica (bella solida, nel caso specifico). La presenza di archi e vibrafono fa sì che il suono d'insieme mantenga sempre un che di cameristico, ...
Continue ReadingSpinifex: Maxximus
by Glenn Astarita
Spinifex, the Amsterdam sextet formed in 2005 by saxophonist Tobias Klein, has spent two decades rattling jazz conventions with math-metal precision and global rhythmic flair. With trumpeter Bart Maris, tenor saxophonist John Dikeman, guitarist Jasper Stadhouders, bassist Gonçalo Almeida, and drummer Philipp Moser, their live shows ignite like sonic wildfires. Maxximus marks their twentieth anniversary and first acoustic venture. They welcome violist Jessica Pavone, cellist Elisabeth Coudoux, and vibraphonist Evi Filippou. This unplugged pivot swaps electric chaos for chamber- like ...
Continue ReadingJohn Dikeman: Old Adam On Turtle Island
by John Sharpe
Committed improviser John Dikeman assembles a crack Amsterdam domiciled quartet to navigate Old Adam On Turtle Island, a song cycle that probes the intersections of colonization, religion, and their potential to inspire transcendence or tyranny. The framework is deliberately loose: a schematic more than a score, allowing the musicians to chart the course collectively. Themes emerge as insistent phrases rather than fixed melodies, serving as touchstones in a performance defined by ebb and flow. The first half moves ...
Continue ReadingSpinifex: Undrilling the Hole
by Vincenzo Roggero
Spinifex è un gruppo eterogeneo per esperienza e per provenienza geografica, con base ad Amsterdam, che con Undrilling the Hole giunge alla nona pubblicazione, la quinta con questa formazione, un sestetto con tre fiati, sezione ritmica e chitarra. A differenza dei precedenti album nei quali le composizioni provenivano dalla penna di diversi componenti del gruppo, in quest'ultimo la scrittura è tutta appannaggio di Tobias Klein, il fondatore nel lontano 2010 dell'ensemble, allora in forma di nonetto. Questa novità ...
Continue ReadingDikeman / Hong / Lumley / Warelis: Old Adam On Turtle Island
by Mark Corroto
The creative community centered in Amsterdam, Netherlands, can be seen as the modern-day equivalent of a city once known as New Amsterdam--a 17th-century Dutch settlement that would eventually become New York City. Just as modern jazz flourished in mid-20th-century New York, some might argue that today's hotbed of creative music resides in old Amsterdam. Evidence for this can be found in Old Adam on Turtle Island, a stunning musical creation by a multicultural quartet. Led by American saxophonist ...
Continue ReadingSpinifex: Undrilling the Hole
by Lawrence Peryer
The Amsterdam-based sextet Spinifex borrowed their name from a hardy Australian grass known for thriving in harsh conditions. For nearly two decades, they have forged original music from seemingly incompatible elements--mathematical structures, punk aggression, free jazz fire. Their ninth album, Undrilling the Hole, presents seven new compositions from alto saxophonist Tobias Klein that showcase the band's singular musical vocabulary. Mathematics shapes Klein's compositions, but not in obvious ways. Nothing fancy," Klein explains. The basic proportions=-twos and threes, sometimes ...
Continue ReadingJohn Dikeman, Pat Thomas, John Edwards, Steve Noble: Volume 2
by John Sharpe
An incendiary outfit returns for a second volume (perhaps the second set?) of free jazz mayhem from London's Cafe Oto, recorded in February 2019. It comprises four players, each with a big sound, regardless of amplification, and a big personality to match--Amsterdam-based American John Dikeman, on tenor saxophone, and the British threesome of Pat Thomas (hailed by drummer Tyshawn Sorey as one of the best in the world, following their duet in the 2023 London Jazz Festival) on piano, John ...
Continue ReadingTim Sprangers, Jazzism.
“The saxophonist… puts fire to the fuse with the Old Testament fury that Charles Gayle displays on his best trio records. More than improvisation or free jazz you hear übergospel: reeling with religious conviction and tortuous dynamism, with roaring pounding in the low register, split tones and a timbre that is almost torn to pieces.”
Guy Peters, Enola.



