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John Dikeman
John Dikeman is an American saxophonist currently residing in Amsterdam. Drawing inspiration from a wide range of sources, John’s playing runs the gamut of improvised music and technique. He is currently active as a member of numerous groups including Cactus Truck, a band made up guitarist/bass guitarist Jasper Stadhouders and Onno Govaert; Universal Indians with Norwegian rhythm section Tollef Østvang and Jon Rune Strøm and often featuring Joe McPhee; the trio Dikeman, Parker, Drake with William Parker and Hamid Drake, and numerous other collaborations including projects with Andrew Barker, Dirk Serries, Steve Noble, Luis Vicente, Alexander Hawkins, Roger Turner, Hugo Antunes, Peter Jacquemyn, Peter Ole Jorgensen, Aleksandar škorić. John is one of the newest members of Spinifex, a genre defying ensemble which combines intricate rhythms and advanced compositional techniques. Dikeman also collaborates regularly with producer Jameszoo. John is a tireless performer in the Amsterdam scene which has recently exploded to include a number of new bands that perform compositions with a specific link to various traditions and offer something of a danceable aesthetic, such as the brass band the Zebra Street Band and cumbia project Bacchanalia. Dikeman has performed as a soloist for groups ranging from Godspeed You! Black Emperor and the Metropole Orkest to Mohamed Mounir and the Cairo Symphony Orchestra.
John grew up in Wyoming and started performing professionally at the age of 16. Dikeman left Wyoming in 1999 to study saxophone and composition at the prestigious Interlochen Arts Academy. John later attended Bennington College in Vermont to study with Milford Graves while at the same time studying privately with the late Joe Maneri. After Bennington, John moved to Boston, then New York City and Philadelphia. While on the east coast John performed extensively with many of the top musicians from the USA including Nate Wooley, Mike Pride, Daniel Carter, Tatsuya Nakatani, etc… In 2004 Dikeman moved to Cairo, Egypt where he worked full time as a professional musician and educator, leading numerous ensembles as well as freelancing in a wide range of settings. After Egypt, John moved briefly to Budapest, Hungary, then Paris, France and finally settled in Amsterdam in 2008.
Since moving to Amsterdam, John has been very active in the Dutch improvised music scene as both a performer and curator. John was selected for the 2012 Young VIP tour which featured the trio Cactus Truck plus guests on tour throughout the Netherlands. John was invited to join Stichting Doek as a core artistic member in 2012.
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Spinifex: Undrilling the Hole

by Vincenzo Roggero
Spinifex è un gruppo eterogeneo per esperienza e per provenienza geografica, con base ad Amsterdam, che con Undrilling the Hole giunge alla nona pubblicazione, la quinta con questa formazione, un sestetto con tre fiati, sezione ritmica e chitarra. A differenza dei precedenti album nei quali le composizioni provenivano dalla penna di diversi componenti del gruppo, in quest'ultimo la scrittura è tutta appannaggio di Tobias Klein, il fondatore nel lontano 2010 dell'ensemble, allora in forma di nonetto. Questa novità ...
Continue ReadingDikeman / Hong / Lumley / Warelis: Old Adam On Turtle Island

by Mark Corroto
The creative community centered in Amsterdam, Netherlands, can be seen as the modern-day equivalent of a city once known as New Amsterdam--a 17th-century Dutch settlement that would eventually become New York City. Just as modern jazz flourished in mid-20th-century New York, some might argue that today's hotbed of creative music resides in old Amsterdam. Evidence for this can be found in Old Adam on Turtle Island, a stunning musical creation by a multicultural quartet. Led by American saxophonist ...
Continue ReadingSpinifex: Undrilling the Hole

by Lawrence Peryer
The Amsterdam-based sextet Spinifex borrowed their name from a hardy Australian grass known for thriving in harsh conditions. For nearly two decades, they have forged original music from seemingly incompatible elements--mathematical structures, punk aggression, free jazz fire. Their ninth album, Undrilling the Hole, presents seven new compositions from alto saxophonist Tobias Klein that showcase the band's singular musical vocabulary. Mathematics shapes Klein's compositions, but not in obvious ways. Nothing fancy," Klein explains. The basic proportions=-twos and threes, sometimes ...
Continue ReadingJohn Dikeman, Pat Thomas, John Edwards, Steve Noble: Volume 2

by John Sharpe
An incendiary outfit returns for a second volume (perhaps the second set?) of free jazz mayhem from London's Cafe Oto, recorded in February 2019. It comprises four players, each with a big sound, regardless of amplification, and a big personality to match--Amsterdam-based American John Dikeman, on tenor saxophone, and the British threesome of Pat Thomas (hailed by drummer Tyshawn Sorey as one of the best in the world, following their duet in the 2023 London Jazz Festival) on piano, John ...
Continue ReadingOrquesta del Tiempo Perdido: Sepk

by Alberto Bazzurro
Un'aria vagamente zappiana, ma del resto prossima anche a svariati altri (eventuali) referenti fra quanti amino mettere a friggere" insieme ingredienti di diversa provenienza (colpendo fin da una copertina abbastanza sorprendentemente à la Baglioni degli anni d'oro...) è quanto ci arriva da questo singolare album olandese (ma portoghese per produzione), il terzo dell'ensemble diretto dal chitarrista-tuttofare Jeroen Kimman. Nel mare magnum dei dodici brani proposti, tutti targati Kimman (due decisamente ampi, gli altri molto meno), si respirano ...
Continue ReadingLuis Vicente 4tet: House In The Valley

by John Sharpe
Portuguese trumpeter Luis Vicente wrote the four compositions which make up House In The Valley during lockdown. His intention was to evoke childhood memories of times at his grandparents' rural house. Judging from the outcomes there must have been a lot of '60s American New Thing on the turntable at the time. In particular the way the group realizes Vicente's melodies recalls Don Cherry's outings from that period such as Complete Communion (Blue Note, 1966) and Symphony For Improvisers (Blue ...
Continue ReadingJohn Dikeman / Pat Thomas / John Edwards / Steve Noble: Volume2

by Mike Jurkovic
If ever oh ever there was a more ornery conversation between four highly-charged, time-defiant individuals, Volume2 sets the mark. Arguing, as great men do, about all things seen and unseen, secular and sublime, consummate free jazzers saxophonist John Dikeman, pianist Pat Thomas, bassist John Edwards and drummer Steve Noble circle the wagons once again at London's Cafe Otto and chase the demons and angels that co-inhabit each and every one of us. No," its half-hour plus mad rush mix of biblical ...
Continue ReadingTim Sprangers, Jazzism.
“The saxophonist… puts fire to the fuse with the Old Testament fury that Charles Gayle displays on his best trio records. More than improvisation or free jazz you hear übergospel: reeling with religious conviction and tortuous dynamism, with roaring pounding in the low register, split tones and a timbre that is almost torn to pieces.”
Guy Peters, Enola.