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Ikue Mori
DNA enjoyed legendary cult status, while creating a new brand of radical rhythms and dissonant sounds; forever altering the face of rock music.
In the mid '80s Ikue started in employ drum machines in the unlikely context of improvised music. While limited to the standard technology provided by the drum machine, she has never the less forged her own highly sensitive signature style.
Through out in '90s She has subsequently collaborated with numerous improvisors throughout the US, Europe, and Asia, while continuing to produce and record her own music.
1998, She was invited to perform with Ensemble Modern as the soloist along with Zeena Parkins, and composer Fred Frith, also "One hundred Aspects of the Moon" commissioned by Roulette/Mary Flagler Cary Charitable Trust.
Ikue won the Distinctive Award for Prix Ars Electronics Digital Music category in 1999.
In 2000 Ikue started using the laptop computer to expand on her already signature sound, thus broadening her scope of musical expression. 2000 commissioned by the KITCHEN ensemble, wrote and premired the piece "Aphorism" also awarded Civitella Ranieri Foundation Fellowship.
2003 commissioned by RELACHE Ensemble to write a piece for film In the Street and premired in Philadelphia. Started working with visual played by the music since 2004. In 2005 Awarded Alphert/Ucross Residency.
Ikue received a grant from the Foundation for Contemporary Arts in 2006. In 2007 the Tate Modern commissioned Ikue to create a live sound track for screenings of Maya Deren's silent films. In 2008 Ikue celebrated her 30th year in NY and performed at the Japan Society. Recent commissioners include the Montalvo Arts Center and SWR German radio program and Shajah Art foundation in UAE. Current working groups include MEPHISTA with Sylvie Courvoisier and Susie Ibarra, PHANTOM ORCHARD with Zeena Parkins, project with Koichi Makigami and various ensembles of John Zorn.
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Satoko Fujii: Hyaku: One Hundred Dreams
by Alberto Bazzurro
Inciso al DiMenna Center di New York nel settembre 2022, questo album è forse il migliore, il più importante e ambizioso, realizzato dalla pianista giapponese in tempi recenti (e sappiamo quanto corposa sia la sua produzione da un po' di anni in qua). Basta, da subito, scorrere i nomi coinvolti nel progetto (in special modo il grande vecchio" Wadada Leo Smith) per rendersene conto. La musica, poi, ci toglie da ogni dubbio o imbarazzo: siamo di fronte a un lavoro ...
read moreSatoko Fujii: Crustal Movement
by Jeff Schwartz
In the first few minutes of Masoandro Mitsoka," a soft wash of white noise becomes differentiated into piano, percussion, electronics and two trumpets as the acoustic instruments move from breath and friction sounds to identifiably instrumental ones. Next the ensemble reduces to the trumpets, and they move from parallel play to a clear conversation. When piano, percussion and electronics return, they function as a free jazz rhythm section, backing one trumpet, then both, then the other. Instrumental ...
read moreKaze & Ikue Mori: Crustal Movement
by Karl Ackermann
Crustal Movement is the seventh album from the Peter Orins/Satoko Fujii founded quartet-turned-quintet, Kaze. Now billed as Kaze & Ikue Mori, it represents the second consecutive album from the French- Japanese collective where the electronics artist has played a significant role. The two trumpeters, and original group members, Natsuki Tamura, and Christian Pruvost round out the group. Over the course of more than ten years, Kaze, and their one-time extended sextet, Trouble Kaze, have played at the outer ...
read moreSatoko Fujii: Hyaku: One Hundred Dreams
by Dan McClenaghan
Country music artist Merle Haggard (1937 -2016) released 66 studio albums in his day, along with five instrumental recordings and several live and compilation discs. When asked in a late-career interview if his upcoming album was a good one, he answered (paraphrasing). I don't know. I've made so many I don't know if the next one's any good or not." He was probably pulling the interviewer's leg. It is hard to imagine an artist presenting a new work ...
read moreYuko Fujiyama: Quiet Passion
by John Sharpe
American-based Japanese pianist Yuko Fujiyama has recorded sparingly over a 40-year career, so the arrival of Quiet Passion, only the fourth date under her leadership, is an occasion to perk up the ears. Also noteworthy is the unusual instrumentation she has chosen, supplementing her piano with the cornet of Graham Haynes and electronics of Ikue Mori. The resultant 13 cuts constitute a deeply personal album, introspective but simmering with pent up emotion and steely determination. Like many ...
read moreElectro-Acoustic works, SHHH/Peaceful, Latin sounds and Ellingtonia
by David Brown
This week, Latin sounds, Ellingtonia, Electro-Acoustic Jazz and SHHH/Peaceful. Playlist Thelonious Monk Esistrophy (Theme)" from Live at the It Club-Complete (Columbia) 01:30 Jason Moran You've Got to be Modernistic" from Modernistic (Blue Note) 02:10 Matthew Shipp Trio World Construct" from World Construct (ESP Disk) 07:57 Marta Sanchez The Eternal Stillness" from SAAM (Spanish American Art Museum) (Spanish American Art Museum) 18:17 Andrew Hill Afternoon in Paris" from Verona Rag (Soul Note) 25:49 Nubya Garcia La Cumbia Me Está ...
read moreYuko Fujiyama, Graham Haynes, Ikue Mori: Quiet Passion
by Mark Corroto
Pianist Yuko Fujiyama does not routinely release music. When she does, it is always for a special purpose. This trio recording, Quiet Passion, was preceded by Night Wave (Innova Recordings, 2018) and, like her previous album, she is joined by cornetist Graham Haynes. The trio is completed by fellow Japanese- born expatriate Ikue Mori a longtime mainstay of New York's Downtown scene. Fujiyama, a Cecil Taylor devotee, has maintained the essence of Taylor's art but, through the years, she has ...
read moreJazz this week: Mike Stern & Kimberly Thompson, George Sams, Ralph Towner, Ikue Mori & Nate Wooley, Russell Gunn, and more
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St. Louis Jazz Notes by Dean Minderman
As you might be able to deduce from looking at the headline for this post, it's very busy week for jazz and creative music in St. Louis. Over the next few days, there will be a plethora of visiting performers on local stages, plus the opening of a play about one of the most famous jazz singers ever, free master classes from two guitar greats, and more. Let's go to the highlights... Wednesday, February 15 Guitarist Mike Stern performs for ...
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StLJN Saturday Video Showcase: Ikue Mori & Nate Wooley
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St. Louis Jazz Notes by Dean Minderman
This week's grab-bag of videos features electronic musician Ikue Mori and trumpeter Nate Wooley, who will be performing in a concert presented by New Music Circle next Saturday, February 18 at The Luminary. Mori, 63, is a Japanese native who first gained recognition in the late 1970s as the drummer for the NYC-based No Wave" band DNA. She subsequently began working with drum machines and electronics, eventually abandoning the drums entirely for a laptop computer, which remains her preferred instrument. ...
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Music
One Hundred Dreams Part 1
From: Hyaku: One Hundred DreamsBy Ikue Mori
Prickly Pear Cactus
From: Prickly Pear CactusBy Ikue Mori