Home » Jazz Musicians » Steve Hass
Steve Hass
After attending Boston's prestigious Berklee College Of Music on full scholarship, Steve Hass moved to New York City joining the Ravi Coltrane Group. Along side Lonnie Plaxico, Michael Cain, and Ralph Alessi, Steve was playing a mixture of hard bop, funky odd meter grooves and free improvisation in Ravi's band. During his five years with the group, Hass was also freelancing and recording with several local singer/songwriters and working at jingle houses in New York City including Fluid Post Music, Three Tree Productions, Ian London Productions, and Red House to name a few. He had local weekly gigs with The Bitter End house band, The Blue Note house band and Monday nights at Zinc Bar with The Ron Affif Trio. He also had touring stints with artists such as, Richard Bona, Christian McBride, Suzanne Vega, Miri Ben Ari and many more. The Ravi Coltrane group gave Steve his first major label album credit for the critically acclaimed Mad 6, released on Sony Music, as well numerous european tours. At 24 years of age, Hass was touring and recording with some of the world's most influential artists and making a name for himself as an in demand session musician.
In April of 2003, Hass heard of an audition for Atlantic recording artists The Manhattan Transfer. The band held auditions in New York City and Los Angeles. Hass was asked to join the eight-time Grammy winners and immediately went on the road. After numerous world tours, four albums and a live Christmas concert DVD, Hass continues to work with the group as his schedule permits. In October 2003 Hass released his debut solo "Traveler" featuring some of New York City's top players. Traveler received critical acclaim and Hass' version of "Skylark" featuring vocalist Janis Seigel was included on a special C.D. release from the Hoagy Carmichael foundation.
Exactly two years later, in April of 2005, Hass received a call from guitarist and Miles Davis alumnus, John Scofield. Scofield was releasing a Ray Charles Tribute album called That's What I Say, and needed a drummer to cover traditional R+B, funk, jazz and latin. Scofield asked Hass to be his touring drummer for the "Ray Charles project." The band had several tours in 2005 through the end of 2006. Their last tour featured legendary gospel singer, Mavis Staples and was a great success.
In 2008, Hass decided to settle down in Los Angeles, performing locally with such greats as Bob Sheppard, Bob Mintzer, Alan Pasqua, John Beasley, Bill Cunliffe, Jimmy Haslip, Mitch Forman, David Garfield, Dennis Hamm, Jeff Babko and more. In 2010 he teamed up with "The Difference". "The Difference" is the production team of Adam Gurr and Carlton Douglas. Together they created Hassbeat Production Studios, a full service production company and recording studio where Steve is able to produce music and record drum tracks for artists around the world.
Read moreTags
Judy Wexler: No Wonder

by Pierre Giroux
Judy Wexler's release No Wonder is a portrait in vocal jazz artistry, underscored by thoughtful arrangements from pianist and arranger Jeff Colella and a luminous supporting cast of Los Angeles A-list musicians including multi-instrumentalists Danny Janklow, and Bob Sheppard, trumpeter Jay Jennings guitarist Larry Koonse, bassist Gabe Davis and drummer Steve Hass. The twelve-tune track list is a refreshingly curated program of standards that steer away from the overly familiar, instead embracing the hipper" corners of the ...
Continue ReadingJudy Wexler: No Wonder

by Dan Bilawsky
Judy Wexler imbues every song she touches with a sense of realism, wonder and depth that's ever so rare. An inimitable artist, this celebrated singer adds volumes to each story she encounters, be it a post-millennial jazz tune, '60s counterculture anthem, glimmering Brazilian jewel or any number of other finds. In the case of No Wonder--Wexler's seventh album, arriving two decades after her debut--she demonstrates her gifts with a marked emphasis on standards. Longtime collaborator/pianist Jeff Colella's ...
Continue ReadingJudy Wexler: Back to the Garden

by Richard J Salvucci
Man, if you can pick a tougher project to sell to an aging Boomer than Judy Wexler's Back to the Garden, then you will have to say what it might be. For a lot of the Swinging and Breathing Elderly, this music is intensely personal. Not just where were you, or who were you with? But what were you doing? And most of all, why? Not everyone was a protester or a demonstrator, much less a hippie. Not everyone made ...
Continue ReadingJudy Wexler: Back to the Garden

by Nicholas F. Mondello
A glance at the tracks on this album might make one think that it is a well-selected gathering of '60s message tunes from compilation stalwart, Rhino Records. That not being the case, rest assured that Back to the Garden presents those iconic Pop selections so incredibly re- imagined that what we experience could easily be considered new selections." Judy Wexler--petite in stature, but tremendously talented and agile in artistry--and her cadre of LA's best, delivers her finest performance ...
Continue ReadingMayita Dinos: The Garden Is My Stage

by C. Michael Bailey
Many artists have day jobs to pay the bills, and vocalist Mayita Dinos is no exception. After studying landscape design, and working in the field for decades," Dinos emerges with a debut jazz vocal recording The Garden is My Stage. But, this is no wet-feet newbie recording. Dinos has been performing as an avocation around her Los Angeles home, including jam sessions hosted by vocalist and composer Cathy Segal-Garcia, who recognised Dinos' potential, taking her under her wing as a ...
Continue ReadingSteve Hass: A World of Rhythms

by R.J. DeLuke
Thirty-two-year-old Steve Hass has been a professional drummer for about a dozen years, adding touches of style and class to music by the likes of The Manhattan Transfer, Art Garfunkel, Billy Joel, Christian McBride, John Benitez, Ravi Coltrane and many others, from pop to hard core jazz and from hip-hop to Latin beats. He’s a percussionist with a smooth style and his pulsating conversations with fellow musicians are interesting and seamless. But it didn’t come just from just formal lessons ...
Continue ReadingDarryl Hall: Subtle Touch

by AAJ Staff
While bassist Darryl Hall is more than a known quantity among the Philadelphia jazz community, he’s starting to record his vision and expand his recognition among the jazz community along the East Coast as well. Winner of the 1995 Thelonious Monk Jazz Competition on bass, Hall’s vision is one that is unlike that of many bassists in his style of composition, his choice of instrumentation and his role as a bassist.Maybe “Subtle Touch” is the way to describe ...
Continue ReadingPhotos
Music
It's Alright Ma (I'm Only Bleeding)
From: Falling From EarthBy Steve Hass
Dark and Lovely
From: Beneath the SkinBy Steve Hass