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Robby Ameen: Live at the Poster Museum

by Jack Bowers
Unlike some drummer-led albums, wherein it is hard to determine who is actually piloting the ship, there are no doubts about who is in charge on Live at the Poster Museum--and that would be none other than Robby Ameen whose sharp and forceful timekeeping enlivens the heart and soul of every number, lending them a sizable measure of their exuberance and swagger. That is especially meaningful considering that Ameen is traveling in fast company, overseeing a burnished ...
Continue ReadingRobby Ameen: Live at the Poster Museum

by Paul Rauch
There are pluses and minuses to all recordings, the attributes stacking up like cordwood due to the virtuosity of the musicians, the compositional value of the tunes and the basic, primary aim of the leader. In this case, the leader, virtuoso drummer Robby Ameen, blurs the line between Afro-Caribbean rhythms and swinging post bop jazz. His music mentions in a way, that the divisions we may see between the different elements of the music that became modern jazz in New ...
Continue ReadingBill O'Connell: A Change Is Gonna Come

by Jack Bowers
Pianist Bill O'Connell, who has been at the top of his game for more than four decades with no signs of slowing down, says each of his albums is a snapshot of how he is feeling at a particular time in his life. A Change Is Gonna Come expresses O'Connell's frame of mind after enduring more than two years of the Coronavirus pandemic. By and large, the mood is optimistic, underscoring his belief that the worst of the pandemic could ...
Continue ReadingRobby Ameen: Diluvio

by Jack Bowers
It's a given that wherever Grammy-winning drummer Robby Ameen goes, irrepressible rhythm is sure to follow. Diluvio, Ameen's third album as leader of his own ensemble, is clearly no exception to the rule. Ameen's half-dozen compositions are intrepid and lively, and even Gerry Mulligan's Line for Lyons" and John Coltrane's Impressions," which seal the album, are given bright rhythmic makeovers in keeping with the leader's metrical frame of mind. To lend color and variety, Ameen employs a ...
Continue ReadingRobby Ameen: Diluvio

by Dan Bilawsky
Perhaps it's a flood of rhythm that the title and cover art refer to on this third leader outing from drumming dynamo Robby Ameen. A heavy hitter in Afro-Cuban circles for decades, Ameen's frangible linear Latin funk workouts, intricate rhythmic roadmapping, song-serving chops and good taste have earned him an overwhelmingly positive reputation. Everybody from musical polymath Ruben Blades to flutist Dave Valentin and pianist Eddie Palmieri to trombonist Conrad Herwig has called on Ameen multiple times over the years, ...
Continue ReadingAndrea Brachfeld: Brazilian Whispers

by Dan Bilawsky
While Brazilian Whispers marks Andrea Brachfeld's first thorough exploration of the titular stream of sound, you'd never know it from the results. Teaming up with Bill O'Connell, her longtime pianist and sounding board, the veteran flutist, who's typically engaged in Afro-Cuban affairs or straight ahead suggestions, sounds like she's been playing this music all her life. Rather than spread focus across a massive realm of Brazilian territory, Brachfeld homes in on the music of one of the ...
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Fast Eye
From: Live at the Poster MuseumBy Lincoln Goines
Spank A Lee
From: The Art of the Bass ChoirBy Lincoln Goines